Lesson 6 of 10Music ProductionIntermediate

Setting up and saving a template

4:30
Dov's template is built from a combination of orchestral and electronic sounds. Let's look at how he's set things up, using track folders.
Part of the courseComposition in Logic: Workflow & Templates10 lessons (0h 46m)

This lesson is part of the full course. 1 lesson is free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund
Dov WatermanYour guruDov Waterman

What's in the course

10 lessons (0h 46m) · 1 free
    • 01. Welcome to the course & Dov's take on creativity

      Free lesson

      3:29

    • 02. Intro to Workflow & Efficiency

      1:30

    • 03. Workflow and Efficiency

      7:13

    • 04. Key Commands

      6:04

    • 05. Creating a sound pallette

      4:02

    • 06. Setting up and saving a template

      You are here

      4:30

    • 07. Overview of library and channel strips

      9:20

    • 08. The Toolbar

      4:23

    • 09. Screen-sets

      4:34

    • 10. Assignment: Create your template

      1:18

Lesson transcript

Music Production Lesson: Using Track Stacks in Your Template

Okay, so my template is built up of a combination of electronic and orchestral sounds. I have various sections of the orchestra over here:

  • Strings
  • Brass section
  • Woodwinds
  • Orchestral effects pads
  • Atmospheres
  • Sequences
  • Ops arpeggiators

Organizing Tracks

I save all my sounds into these track folders. Now, regarding track folders:

  • If I select a bunch of tracks (like I've done here with my string sections) and do a Control+Click, I can create a Track Stack.

When I do this, it opens up a page giving me an option to save it as either:

  • Folder Track
  • Summing Track

Folder Track

A Folder Track basically just groups the tracks into what is known as a VC (Volume Control) channel strip. This will only control your volume. Any auxiliaries or outputs are specific to the instruments themselves and will go out wherever you've sent them.

Summing Track

A Summing Track, on the other hand, acts as a bus auxiliary. This means you're bussing all these instruments into a bus, allowing you to control them much easier.

  • For example, if you wanted to add compression over your entire string section, this is where you would do it.

Demonstrating Folder vs. Summing Track

Let's reverse that for a moment and show what happens if I create a Folder Track.

  • If I go to create a Track Stack and choose a Folder Track, it will produce a folder track that only has one volume control for it.
  • The rest of these instruments are still going out; they should be bussed to the normal output.

However, because I've already created a Summing Track before, it has converted these to Bus 3. Normally, with the Folder Track, you would see the output as "Stereo Output."

Setting Up Summing Track

So, I'm going to reverse it back and do a Summing Track, which is what I normally use for this type of folder track.

  • My outputs are now in Bus 3, which goes to my main output.
  • As you can see, I've done this for all the rest of my instrument sections, such as:
    • Brass, bussed out to this folder track Bus 4
    • Woodwinds, and so on and so forth.

Final Thoughts

Basically, at the end of this, I've got a very large template that works efficiently for me.

  • This template may be moderately large, but it suits my needs.
  • Your template doesn't necessarily need to be as big. Depending on the type of music you're writing, you can have various different templates.

I have different templates for the varying genres of music I write for.

Saving Your Template

Once I'm satisfied with my settings, I'll save it as a template.

  • To save, I go to FileSave as Template.
  • If I've made any tweaks or changed some sounds and want to save them as a new template, I repeat the same steps.

This will save the template in your Templates folder, which is located in your Logic folder in your user library.

$13/monthSubscription

10 lessons

0h 46m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Meet your guru

Dov Waterman

Dov Waterman

Dov Waterman is a composer, pianist and producer. He has written and designed sound for films including After Earth, Terminator Genisys, Transformers: The Last Knight and The Snowman, and works as a sample-library audio editor and sound designer with companies such as Native Instruments and SonoKinetic.

His Composition in Logic series walks through building a track end to end in Logic Pro - from templates and workflow to synthesis and beat programming, MIDI effects, editing and the final mix - for producers who want to turn their ideas into finished records.

Dov Waterman
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Learn from Dov Waterman and hundreds of others

Unlimited access, money back guaranteed

$13/month

Subscription