Mappages de contrôles Macro et le Mapping Browser dans Ableton Live
Lesson time: (7min 42sec)
Comment utiliser le Mapping Browser d'Ableton pour assigner des contrôleurs MIDI, des touches de l'ordinateur et des contrôles Macro à tes instruments et clips.
Course preview
This lesson is part of the course Créer de nouvelles parties dans Ableton Live avec le MIDI et l'audio
Watch a preview of the full course below.
Lesson transcript:
MIDI Mapping with Ableton Live
So now let's look at the mapping browser. MIDI mapping with Ableton Live is super easy. With the mapping browser, Live lets you:
- Map parameters to a MIDI controller
- Map to macros
- Map to a computer keyboard
This is a powerful way to set min and max values to a knob or trigger certain clips with a keystroke.
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We can also enter the mapping browser with the MIDI map mode switch and the key map mode switch. Let's look at that within Ableton Live.
Automation and Modulation
Now, let's say I have an instrument and I want to create automation or modulation to it. I want to record it or do different effects, and I might want to use an external controller for that. For me, it would be just a lot more playable than coming in here, finding the parameter, and clicking it to move it live.
Step-by-Step Mapping Process
-
Select MIDI Map Mode: Let's say I'm playing this, and we have this filter sweeping that we can do. If I want to map that to a controller:
- Hit MIDI.
- Click whatever I want and move a control.
-
Control Identification: The second I do that, you'll see a number indicating what this control is. Moving different controls will give different numbers, shown in the mapping browser.
-
Mapping Browser Overview:
- You will see:
- The parameter note or control number
- What it's affecting
- The min/max values
- You will see:
Adjusting the Range
Let's see what that looks like:
- Right now, if I adjust, it goes all the way down and all the way up. But there might be a scenario where I don't want such a wide range.
For example:
- If I put in a reverb, which is usually very big, I might not want it to go all the way wet.
By entering MIDI Map Mode:
- I can see the controller number, which is going to the synth reverb, and its dry/wet mix.
Currently:
- If I move this, it goes all the way wet and all the way dry.
Changing Min/Max Values
In the MIDI map browser, I can change this range.
- Let's set it to:
- Minimum: 10%
- Maximum: 50%
Now, when I move that knob:
- The range will go from 10 to 50.
I've effectively shrunk my range to what I really want to use. That min/max feature is huge.
Multi-Parameter Mapping
You can map all sorts of things. In MIDI map mode, you can map any parameter that is shown in blue. For example, I can map the spread and also map multiple things to the same knob:
- Spread
- Decay time to a second knob
- Pan
- Resonance, etc.
This is where the range adjustments come in handy, allowing me to dial in the specific effects.
Clips and Key Mapping
In the blue MIDI map mode:
- You can also map clips to specific keys. Just press the key, and you can set various clips to correspond to it.
Now, stopping all playback will record a new clip and bring in that snare darbuka and drum.
You're not just limited to adding effects; you can map pretty much anything you want!
Key Mapping in Detail
Key mapping is very similar, but it focuses on the keyboard.
- For example, I can map this to the ASDF keys.
- While mapping different controls through key mapping:
- Each key acts as an on/off button.
The general use for the keyboard would be to:
- Start and stop clips
- Record something on the fly
Summary of MIDI and Key Mapping Modes
In summary, we've explored:
- MIDI Map Mode: Useful for controlling sound and effects.
- Key Map Mode: Limited to on/off controls for easier clip management.
Now you have control over your MIDI by being able to record and add new parts, either by writing them on your computer keyboard or using an external MIDI device. We've learned how to set up all the different parameters found within the mapping browser, giving you everything you need to get started recording MIDI.
About the instructor

Isaac Cotec est, sans doute, l'un des meilleurs formateurs Ableton au monde ! Tout en travaillant sur sa propre musique, il a commencé à enseigner les techniques d'enregistrement, le design sonore et Ableton Live à des élèves particuliers et, depuis qu'il a obtenu sa certification d'Ableton Certified Trainer officiel, il a aidé des milliers de producteurs à passer un cap et à réussir comme musiciens. Isaac a commencé à produire de la musique électronique en 2005 avec Psyche Sonics, un groupe expérimental travaillant sur la science et la recherche des binaural beats et la modification de la conscience par le son. Après avoir tourné, il a continué à écrire de la musique sous l'alias Cotec puis a émergé comme l'artiste Subaqueous, mêlant son passé électronique à des techniques de production à la fois futuristes et organiques. À ce jour, il a sorti 3 albums et 4 EPs. Isaac est aussi le fondateur et le gérant du label Invibe Music, qui représente certains des meilleurs artistes de musique électronique du Pacific Northwest et se spécialise dans la dance midtempo. Dans ses cours Ableton Live, Isaac partage les techniques de production, de design sonore et d'écriture qu'il a passé des années à affiner — les compétences mêmes qu'il utilise pour transformer l'étincelle d'une idée en un morceau fini. read more




