Enregistrer du MIDI dans Ableton Live
Lesson time: (5min 56sec)
Isaac Cotec explique comment enregistrer du MIDI dans la vue Session d'Ableton, en abordant les réglages clés : la quantification globale, l'armement d'enregistrement et le bouton d'enregistrement de clip.
Course preview
This lesson is part of the course Créer de nouvelles parties dans Ableton Live avec le MIDI et l'audio
Watch a preview of the full course below.
Lesson transcript:
Recording MIDI in Session View
Now let's look at recording within MIDI. Recording MIDI in Session View is very similar to audio, but there are a few key settings that you need to know to be able to record.
Key Settings
The following image represents those settings:
- Global Quantization
- Record Arm Button
- Session Arm Button
- Clips Record Button
- Clip Stop Button
- New Button (This creates a new scene)
Global Quantization
First, let's look at the global quantization.
- If I set this to, let's say, four bars, it will wait until the end of four bars before starting to record.
- For example, if I start recording on the second bar, it will wait until it completes four bars before starting the recording.
Example:
Now I'm hitting it; notice it's blinking, waiting. It should start now.
Record Arm
The next thing we're going to look at is the Record Arm, which is crucial.
- Important Note: If I don't have this on, and I'm playing my keyboard, you won't hear anything.
- Once I hit Record Arm, we can hear the sound.
It's essential to have Record Arm set, even if you have the computer MIDI key button activated. You still need to arm it for it to pay attention to the incoming signal.
Now that I have that set and I'm aware of my global quantization, I'm going to set this to a bar. That's my preference.
Clips Record Button
The next important setting is the Record Button.
- If I press this and then hit Play, you will see that it recorded all the different MIDI notes.
Session Record Button
Now, let's discuss the Session Record Button.
- If I play this and just hit a note, you'll see that I can play on top of this without it recording.
- However, when I hit the Session Record Button, it starts recording whatever I'm doing into the clip.
If this button is off, you can play on top of it, but it won't actually record what's happening. This is similar to MIDI overdub.
Stopping the Recording
When recording, I have two options to stop it:
- I can hit Play, which stops it and plays it back.
- I can hit the Clip Stop Button, which will stop recording.
Alternate Option:
You can always click on another empty slot to start recording; it will stop whatever was before and just go to the next one. You can continue this process with variations all the way down.
New Button
Another new button in Ableton Live 9 is the New Button.
- When I hit New, it snaps me to a new spot.
- If I'm up here playing something and hit New, it jumps me down to another slot.
Summary
As a review, we have:
- Global Quantization: The point at which it starts recording the incoming signal.
- Record Arm Button: Ensures that it's listening to notes played on either my keyboard or computer keyboard.
- Session Record Arm Button: Allows for overdubbing; it won't record if this is off.
- Clip Stop Button: A way to stop recording or playback.
- New Button: Creates a new scene and puts you down to a new slot for recording.
Make sure to familiarize yourself with these settings to optimize your MIDI recording experience!
About the instructor

Isaac Cotec est, sans doute, l'un des meilleurs formateurs Ableton au monde ! Tout en travaillant sur sa propre musique, il a commencé à enseigner les techniques d'enregistrement, le design sonore et Ableton Live à des élèves particuliers et, depuis qu'il a obtenu sa certification d'Ableton Certified Trainer officiel, il a aidé des milliers de producteurs à passer un cap et à réussir comme musiciens. Isaac a commencé à produire de la musique électronique en 2005 avec Psyche Sonics, un groupe expérimental travaillant sur la science et la recherche des binaural beats et la modification de la conscience par le son. Après avoir tourné, il a continué à écrire de la musique sous l'alias Cotec puis a émergé comme l'artiste Subaqueous, mêlant son passé électronique à des techniques de production à la fois futuristes et organiques. À ce jour, il a sorti 3 albums et 4 EPs. Isaac est aussi le fondateur et le gérant du label Invibe Music, qui représente certains des meilleurs artistes de musique électronique du Pacific Northwest et se spécialise dans la dance midtempo. Dans ses cours Ableton Live, Isaac partage les techniques de production, de design sonore et d'écriture qu'il a passé des années à affiner — les compétences mêmes qu'il utilise pour transformer l'étincelle d'une idée en un morceau fini. read more




