Sauvegardons cette configuration et testons-la !
Lesson time: (9min 21sec)
Mark Burnett montre comment sauvegarder ta configuration de matériel externe dans la bibliothèque utilisateur de Live pour la rappeler dans n'importe quel projet, puis fait la démonstration des contrôleurs en action.
Course preview
This lesson is part of the course Augmenter Ableton Live : le guide ultime pour utiliser des appareils externes
Watch a preview of the full course below.
Lesson transcript:
Final Steps Before Play
So let's just do one last thing now before we have a little play on this setup. The final thing we're going to do over here in Live is to save this device in a meaningful way and stick it in our user library so that it's more useful moving forward in our other projects.
Renaming the Device
- Go to the global drum rack that this is contained within.
- Select Rename.
- Remember, I use double zero so that this device will appear at the top of any lists when ordered alphabetically.
- Give it a meaningful name, such as Drummers on MPD and Excel setup.
- Add my MXB suffix, which makes it easy for me to find.
- Hit the Save button; this will save it in my user library for easy future access.
Let's take a quick look at what's going on!
Demonstrating the Setup
Now, I'm just going to have a little play with it and show you some of the sounds and how this works.
Playing the Pattern
- First thing I'm going to do is play the pattern we created earlier on. It's a simple pattern, but it incorporates most of the sounds we used.
- I've got:
- Volume controls over here.
- Pitch controls over here.
- On the second bank, I've got decay controls.
Additional Effects
In addition to that, I also have the ability to add:
- Reverb
- Delay
- Panorama
- A little bit of compression or snappy effects
- Filtering
Exploring the Controls
Let's just have a play with those.
- Here's the compression on the kick drum; I have a certain degree of control over that.
- This is the snappy parameter on my snare drum, and you can hear I can filter those using these.
- I can pan them left and right and it makes it really easy for me to kill and bring these back into full volume without having to mess around with the detail on the volume settings.
Control and Flexibility
- I get my volume set nicely.
- I can add some extra sound on the fly.
Overall, I have great control over this VST device using these two external MIDI controllers.
Utilizing the Push
As you can see, also on the Push, I've got my standard drum sequencing tools. They are all there, making it really easy for me to create a new pattern. I'm just going to quickly create a new pattern and play around with it a little bit, just to show you how that works.
Control Overview
In summary, I was using these two external MIDI controllers and also the Push 2 to sequence stuff. I'm controlling parameters within the drum machine on this device via the Akai MPD.
- I have control over:
- Pitch
- Decay
- Volume
- Triggering sounds
Over here on the Launch Control XL, I've got control over the mix parameters of those individual sounds:
- Add reverb and delay.
- Change the panning position.
- Add compression and adjust additional auxiliary parameters within the VST.
- I also have a filter on each of the individual sounds.
Conclusion
I've got the kind of control you would expect from having real hardware, a real hardware drum machine going through a hardware desk, with individual control over the mix, the effects, and the balance of all those sounds, all with the convenience of not having to spend in excess of £2,300.
About the instructor

Mark Burnett est un Ableton Certified Trainer qui travaille avec les produits Ableton depuis plus de 14 ans. En tant que producteur et DJ chez Funk'n Deep Records, ses morceaux ont été joués dans de grands festivals ainsi que dans les sets et podcasts d'artistes comme Carl Cox et Richie Hawtin, et il s'est produit devant des foules de plusieurs milliers de personnes. Il organise également des événements de grande envergure comme le Workhouse Project, et a étudié à l'Imperial College London. Son cours porte sur l'utilisation d'Ableton Live pour construire des performances en direct, et convient aux producteurs et interprètes de musique électronique qui souhaitent faire passer leur spectacle du studio à la scène. read more




