Crear una plantilla
Lesson time: (11min 4sec)
Toca las tríadas mayores y menores en tres inversiones para el Grupo C de tus ejercicios de Rockschool Guitar Grado 5: voicings compactos que funcionan bien en el funk.
Course preview
This lesson is part of the course Composición rápida de canciones con Ableton Live
Watch a preview of the full course below.
Lesson transcript:
Creating a Template in Ableton Live
Next, we're going to be looking at creating a template.
What is a Template?
A template is basically an Ableton Live set that you can open each time. It will have similar sounds or qualities to it, making it a lot easier to produce from that point on. This is particularly beneficial:
- For an album: When I was starting my Emerge album from Subaqueous, I spent a week creating a template first to get the types of sounds and organization ready. This ensured that when I wrote songs, they were all organized and kept the same way, which sped up my process immensely.
You get so much faster when you use templates, and we'll explore that within Ableton Live.
Tools for Making Our Template
Here are a few tools we'll use for making our template:
- Color coding: Color coding the different clips or tracks.
- Groups
- Return tracks
- Routing
- Resampling track
These tools are all really important and make production much easier.
Advice for Templates
A few words of advice for templates:
- Only add elements you can use all the time: Don't clutter your template with things you won't be using in the future.
- Feel free to evolve your template: A template is a starting point, and elements can change.
- Different templates for different projects can be really helpful.
Hands-On Template Creation
Now, let's open up Live and make a template from scratch.
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Start with a Blank Set: We have a blank set. Let's turn it into a usable template.
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Group Tracks: I often group MIDI and audio tracks together. I usually separate them by eight groups:
- Drums
- Bass
- Melody
- Harmony
- Percussion
- Vocals
For this example, I named one track Textures for background sounds or ambient noises.
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Color Coding: Everything sounds better when you color it, believe me! I have a personal color coding system where:
- Green = Bass
- Orange = Percussion
You can create your own system based on your preference.
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Common Effects: Consider what effects you use regularly. For instance, I always place an EQ on every channel, even if it's just to adjust the mids or highs.
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Compressors: I might also have a compressor, but it shouldn't affect the base sound until I adjust the threshold settings.
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Consistent Elements: Think about consistent elements you use across projects. For example, I always include a sub bass and certain vocal effects that I prefer.
Setting Up Additional Tracks
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Return Tracks: If there's a specific effect you use a lot, include that in your template.
-
Resample Track:
- Right-click and insert an audio track. I call this Resample and like to color it white.
- Set the input to Resampling, which records anything playing from the master out.
This feature can be very handy when you want to capture a sound quickly while working.
Saving Your Template
- After setting everything up, go to File > Options Preferences (or Live Preferences on Mac).
- Head over to File/Folder, and select Save Current Set as Default.
- Hit Save.
Now, every time you open a new Live set, it will come up with all the parameters you saved, including the EQs and organization setup.
Final Thoughts
The idea here is: If there's something you do repeatedly, set it up as part of your template. This will save time and enhance your workflow.
For example, if you frequently use the Serum VST for your bass, add it to your template.
And there you have it! That's how to create and use a template in Ableton Live.
About the instructor

Isaac Cotec es, posiblemente, ¡uno de los mejores formadores de Ableton del mundo! Mientras trabajaba en su propia música, empezó a enseñar técnicas de grabación, diseño sonoro y Ableton Live a alumnos particulares y, desde que obtuvo su certificación como Ableton Certified Trainer oficial, ha ayudado a miles de productores a mejorar su nivel y triunfar como músicos. Isaac comenzó a producir música electrónica en 2005 con Psyche Sonics, un grupo experimental que trabajaba con la ciencia y la investigación de los binaural beats y la alteración de la consciencia a través del sonido. Tras salir de gira, siguió componiendo música bajo el alias Cotec y más tarde surgió como el artista Subaqueous, fusionando su pasado electrónico con técnicas de producción tanto futuristas como orgánicas. Hasta la fecha ha publicado 3 álbumes y 4 EPs. Isaac es también fundador y gerente del sello discográfico Invibe Music, que representa a algunos de los mejores artistas de música electrónica del Pacífico Noroeste y se especializa en dance de midtempo. En sus cursos de Ableton Live, Isaac comparte las técnicas de producción, diseño sonoro y composición que ha pasado años perfeccionando: justo las habilidades que emplea para convertir la chispa de una idea en un tema terminado. read more




