Take the Express Train - El turnaround

Ollie Weston
Ollie Weston

Lesson time: (3min 21sec)

Ollie Weston presenta el turnaround, el movimiento I-VI-II-V que crea impulso al final de una sección A, demostrado sobre su tema 'Take the Express Train'.

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This lesson is part of the course Explorando el saxofón jazz: Parte 2 - Solear sobre canciones y secuencias de acordes
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Lesson transcript:

Lesson: Introducing Turnarounds

In this lesson, I'm going to introduce you to the turnaround, which is another way to expand your chord sequence and to create momentum in an otherwise static section of music.

What is a Turnaround?

  • Turnarounds usually happen at the end of an A section in a tune.
  • They help to transition back to the main part of the song.

Listening Exercise

I'm going to play you two versions of a song called Take the Express Train, inspired by Duke Ellington's Take the A Train.

Listen for the Turnaround

  • Just have a listen to what happens in the last two bars when the melody resolves and the chord has two bars to get back to the A section.

First Version:
1, 2, 1, 2, 3, 4.

Second Version (with a turnaround at the end of the first section):
1, 2, 1, 3.

Observations

If you listen to what the rhythm section is doing, particularly the bass, in those last two bars:

  • Instead of sitting on my I chord on A, the bass player is playing what we call a turnaround.

Notes Played

The notes are:

  • 1, 6, 2, 5, and then back to 1.

A bass player, instead of playing two notes on each, might join them up in a walking style.

This creates momentum in the chord sequence and gives the illusion of movement without any essential digression from the main key.

Key Points

  • We start in A and we end in A.
  • There are two variations on a turnaround:
    1. I VI 2, 5 (the first one I played).
    2. Starts on 3 (a subtle difference).

Practicing Turnarounds

You might hear from the bass player.

  • You could practice these turnarounds to get used to sounding like a bass player.
  • It's a great exercise to sit and listen to what the other instruments in your band are doing, as well as opening up your ears to these turnarounds.

About the instructor

Ollie Weston
Ollie Weston

Desde que se graduó en el Leeds College of Music (BA Hons) y en la Guildhall School of Music (Post Graduate Diploma in Performance), Ollie ha construido una carrera intensa y variada en la música. Como saxofonista ha actuado en directo y en estudio con artistas tan diversos como Amy Winehouse, Tim Minchin, Bonobo, Frank Turner, la London Jazz Orchestra, la Hackney Colliery Band, el Ambient Jazz Ensemble y la Nelson Riddle Orchestra. También es colíder del cuarteto de jazz 'Time Is Of The Essence', y compone y arregla material para esta y otras agrupaciones. Ollie está activo en la educación musical, actualmente como responsable del curso del departamento de jazz de la Guildhall School of Music and Drama (escuela junior), donde dirige conjuntos de jazz, big band y clases de teoría. Ha escrito una serie de libros 'Exploring Jazz' para Schott Music que se publican en todo el mundo y figuran en los temarios de examen del Reino Unido. Ollie también ha impartido talleres para la Oxford University, Pro Corda Strings y BABSWE, así como en las escuelas de verano de la Guildhall School of Music. En sus cursos Exploring Jazz Saxophone, Ollie te lleva desde los primeros pasos hasta improvisar con confianza sobre canciones y secuencias de acordes, desarrollando las habilidades de improvisación que ponen a tu alcance el vocabulario de un auténtico músico de jazz. read more

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47 lessons (1h 47m)
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