Baladas - Introducción
Lesson time: (1min 17sec)
Course preview
This lesson is part of the course Explorando el saxofón jazz: Parte 2 - Solear sobre canciones y secuencias de acordes
Watch a preview of the full course below.
Lesson transcript:
Exploring the Ballad in Jazz
So I'd now like to play with you a ballad, which is an area of jazz that we haven't yet talked about.
The Essence of a Ballad
The ballad is a real treat for a saxophone player. Here's what makes it special:
- Slow, Beautiful Songs: You have the opportunity to explore the expressive side of the instrument and of your personality.
- Structure and Harmony: While the structures and harmonies of the songs are the same, it's a chance to play at a slow tempo.
- Evoking Emotion: You can really try to evoke whatever mood and character you're after.
Masters of the Ballad
All the great saxophonists were fabulous ballad players as well. If you listen to:
- Coltrane
- Parker
- Sonny Rollins
You'll find that much as they could absolutely blaze through the fast tempos, they could really touch your soul with their ballad playing.
"Sleepless Eyes"
I've written this tune, Sleepless Eyes, which is inspired by You Don't Know What Love Is, a very famous, very sad minor ballad tune.
Structure of the Tune
- Familiar Framework: It has a very familiar structure, AABA, based around D minor.
- Bridge: There's a big lift in the bridge to the relative major, giving you a sense of optimism amidst the sadness of the song.
Solo Expectations
Traditionally, in ballads, you wouldn't take 2, 3, or 4 chorus solos. Because of the tempos, the tunes take much longer.
- Format: So there's just one chorus of solo here, one head in, one head out.
About the instructor

Desde que se graduó en el Leeds College of Music (BA Hons) y en la Guildhall School of Music (Post Graduate Diploma in Performance), Ollie ha construido una carrera intensa y variada en la música. Como saxofonista ha actuado en directo y en estudio con artistas tan diversos como Amy Winehouse, Tim Minchin, Bonobo, Frank Turner, la London Jazz Orchestra, la Hackney Colliery Band, el Ambient Jazz Ensemble y la Nelson Riddle Orchestra. También es colíder del cuarteto de jazz 'Time Is Of The Essence', y compone y arregla material para esta y otras agrupaciones. Ollie está activo en la educación musical, actualmente como responsable del curso del departamento de jazz de la Guildhall School of Music and Drama (escuela junior), donde dirige conjuntos de jazz, big band y clases de teoría. Ha escrito una serie de libros 'Exploring Jazz' para Schott Music que se publican en todo el mundo y figuran en los temarios de examen del Reino Unido. Ollie también ha impartido talleres para la Oxford University, Pro Corda Strings y BABSWE, así como en las escuelas de verano de la Guildhall School of Music. En sus cursos Exploring Jazz Saxophone, Ollie te lleva desde los primeros pasos hasta improvisar con confianza sobre canciones y secuencias de acordes, desarrollando las habilidades de improvisación que ponen a tu alcance el vocabulario de un auténtico músico de jazz. read more




