Mezclar el tema: efectos

Con
John WatsonMezcla tu tema en Ableton Live para que todos los elementos encajen, pasando por EQ Eight, reverb, compresión y el compresor Glue, empezando por el bombo.
Qué incluye el curso
14 lecciones (2h 26m) · 2 gratis
01. Primeros pasos y configuración
3:21

02. Gestionar una biblioteca de samples
Lección gratis4:34

03. Preferencias de Ableton
1:14

04. Usar samples: los dispositivos Simpler y Sampler
7:04

05. Usar samples en tu track (recortar, estirar, afinar, ecualizar)
12:56

06. Añadir cuerdas y flautas sampleadas
7:28

07. Añadir ritmo sampleado: bombos y cajas
25:07

08. Samplear instrumentos externos - caja de ritmos y sintetizador
12:28

09. Crear las partes en la vista Session
13:55

10. Grabar la canción en la vista Arrange
4:34

11. Ajustar la estructura del tema
5:35

12. Mezclar el tema: efectos
Estás aquí21:24

13. Ajustes finales
13:14

14. EXTRA: Masterizar tu tema y subirlo a Soundcloud
Lección gratis13:31
Transcripción de la lección
Mixing the Track: Step-by-Step Guide
Welcome back! I'm happy with the structure now, and I feel it's time to mix the track to make all these elements really stand out in their own right and for the track to sit better together as one piece. I might make a few adjustments to the structure as I go along, but, like I say, I'm pretty happy.
Starting with the Kick Drum
The first thing I'm going to do is come over to the drums and start with the kick. It's always a good place to start when mixing.
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Kick Drum Setup
Here's my kick drum. I'll zoom in a little bit to tidy this up on the simpler here. This ensures that the kick really snaps to the grid by aligning the start of the sample hit point. -
Make it Mono
The next thing I'm going to do is make the kick mono. It will come straight down the center of the mix, which is a good place for a kick drum to sit, along with the snare.- Action: Put the utility device on and bring it to mono.
-
Adding EQ
Now, I'll pop on some EQ and give it a little shape. Double-click this to see it a bit bigger.- Frequency Adjustments:
- Take a little bit of a low frequency out using a low cut.
- Do a little boost to the low frequency end, maybe around 60 Hz.
This band here is a bell curve. I can boost or cut specific frequencies with this band. I want to give a little more low end to the kick by adding a bit more bass frequency.
- Frequency Adjustments:
-
Compression
I'm going to pop on some compression here. The trick is to make the kick drum a little punchier.- Settings:
- Adjust the strength
- Set the ratio
- Slow down the attack
- Take off the auto makeup
- Lower the threshold
I've reduced the volume even though it's a bit more aggressive, so I need to make up for that by adding maybe 6 dB.
- Settings:
Snare Drum Adjustments
Now, I'm pretty happy with the kick. Next, I'll work on the snare.
-
Snare Drum Setup
Coming out of the simpler device, I'm going to grab my EQ to give it a better shape.- Frequency Adjustments:
- Take a little bit of the high frequency out
- Remove some lows
Let's grab a compressor and increase the ratio. I'll lower the threshold and adjust the attack so the compression happens a little quicker. That sounds good!
- Frequency Adjustments:
Adding Effects
I want to add a little reverb to the snare, and I like to do this with a send-return configuration.
-
Create a Return Track
- Go to Create -> Insert Return Track. This is an auxiliary track where I can route a certain sound to this track that has an effect on it.
-
Insert Reverb
- Put in a reverb here and ensure the effect is on 100% wet.
- Send the signal to this track. Check Solo In Place to hear the reverb coming through.
Working on Percussion
Next, I'll come over to the percussion track:
-
Percussion Track Setup
Loop up a little section and solo it. I'll throw on my trusty EQ.- Frequency Adjustments:
- Trim away high frequency energy that sounds a bit bright.
- Remove unwanted low frequency energy.
- Frequency Adjustments:
-
Using the Glue Compressor
I'm going to grab the Glue Compressor to compress multiple drums together.- Lower the threshold and adjust as needed.
More Reverb and Effects
Now, I'll get another return track for a different type of reverb. I'll label this one a medium reverb and load it up.
-
Using Reverb on Shakers
For the shakers, I'll use my EQ8 again to visualize and effectively cut unwanted low frequency energy and some high frequencies to smooth them out. -
Compressing Shakers
I'll copy over the glue compressor settings from the percussion track and drag it onto the shaker track.
Crash Cymbal and Brush Drums
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Crash Cymbal Setup
Again, I'll use EQ to cut low frequency energy and brighten it up with a high shelf to enhance high frequency energy.- Add medium reverb after making adjustments.
-
Brush Drums Setup
I'll check the brush drums. The sample leans to the right-hand side, so I'll pan it to the left to balance it out. I need to trim some low and high frequencies there as well. -
Compression for Brush Drums
Similar to the snare compression, I'll copy those settings over.
Grouping Drums
I want to get all of the drums going to one place to group them.
-
Grouping Tracks
Using Shift, select all different drums, including the crash cymbal, and right-click to group tracks. -
Apply Compression to the Group
Use the Glue Compressor on the group track to help everything sit together.
Final Adjustments
I noticed another sample under the drums that needs attention.
- Last Sample Adjustments
Use EQ8 to remove any bass notes and fine-tune using the fine-tuning feature in the simpler device.
Focusing on Musical Elements
Next up, I'll mute my drums and focus on the hang drum.
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Hang Drum Processing
I'll start with EQ to cut low frequencies and adjust for resonance.- Compression: Use the Glue Compressor to even out the sound.
-
Adding Reverb
Three different types of reverb will be added: small, medium, and large.
Bass Line Improvements
Lastly, I think the bass line needs some improvements.
-
EQ for Bass
Put in some EQ to cut extra low end and mid-range frequencies for clarity. -
Saturation
Add Ableton Saturator in soft sign mode for a tape-like saturation effect. -
Final Compression
Add compression to refine the bass sound.
With these steps, I believe the track will come together beautifully! Happy mixing!
14 lecciones
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Conoce a tu gurú

Conoce a tu gurú
Tras hacer prácticas con Dave Allen, productor de Depeche Mode y The Cure, John se sintió inspirado para estudiar Tecnología Musical en Londres. Su carrera musical despegó tras un exitoso fichaje por CookShop Records, con el que publicó 9 sencillos y un álbum en 2007 que recibió críticas entusiastas de Q, Uncut y Lowdown Magazine, además de sonar en XFM y Radio One.
John empezó a formarse como ingeniero de sonido en el estudio Bonafide en 2005, donde perfeccionó su talento, y ese mismo año fundó Jackdaw Recordings. Ha colaborado con numerosos artistas de éxito y, en 2007, comenzó a tocar para el músico pop Patrick Wolf, actuando en salas de primer nivel tanto en el Reino Unido como a nivel internacional, incluidos The Astoria y el Shepherds Bush Empire.
Desde su estudio londinense, John ahora compone música, con dos lanzamientos más en CookShop, se ocupa de la ingeniería de sonido para artistas destacados y crea diseño sonoro para anuncios de televisión, cine, teatro y vídeo corporativo.
Esa infrecuente combinación de compositor, productor e ingeniero de estudio en activo es justo lo que John aporta a su enseñanza. En Creative Composition & Production in Ableton Live y Creative Sampling & Production in Ableton Live, te muestra cómo transforma ideas en bruto en temas terminados y listos para publicar: la composición, el sampleo, el diseño sonoro y el saber hacer práctico de la ingeniería que hay detrás de un disco profesional.












