Lección 12 de 14Producción musicalIntermediate

Mezclar el tema: efectos

21:24

Mezcla tu tema en Ableton Live para que todos los elementos encajen, pasando por EQ Eight, reverb, compresión y el compresor Glue, empezando por el bombo.

Parte del cursoSampling y producción creativa en Ableton Live14 lecciones (2h 26m)

Esta lección forma parte del curso completo. 2 lecciones son gratis.

desde13 US$/mes

Explorar el curso
Cancela cuando quierasReembolso en 30 días
John WatsonTu gurúJohn Watson

Qué incluye el curso

14 lecciones (2h 26m) · 2 gratis
    • 01. Primeros pasos y configuración

      3:21

    • 02. Gestionar una biblioteca de samples

      Lección gratis

      4:34

    • 03. Preferencias de Ableton

      1:14

    • 04. Usar samples: los dispositivos Simpler y Sampler

      7:04

    • 05. Usar samples en tu track (recortar, estirar, afinar, ecualizar)

      12:56

    • 06. Añadir cuerdas y flautas sampleadas

      7:28

    • 07. Añadir ritmo sampleado: bombos y cajas

      25:07

    • 08. Samplear instrumentos externos - caja de ritmos y sintetizador

      12:28

    • 09. Crear las partes en la vista Session

      13:55

    • 10. Grabar la canción en la vista Arrange

      4:34

    • 11. Ajustar la estructura del tema

      5:35

    • 12. Mezclar el tema: efectos

      Estás aquí

      21:24

    • 13. Ajustes finales

      13:14

    • 14. EXTRA: Masterizar tu tema y subirlo a Soundcloud

      Lección gratis

      13:31

Transcripción de la lección

Mixing the Track: Step-by-Step Guide

Welcome back! I'm happy with the structure now, and I feel it's time to mix the track to make all these elements really stand out in their own right and for the track to sit better together as one piece. I might make a few adjustments to the structure as I go along, but, like I say, I'm pretty happy.

Starting with the Kick Drum

The first thing I'm going to do is come over to the drums and start with the kick. It's always a good place to start when mixing.

  • Kick Drum Setup
    Here's my kick drum. I'll zoom in a little bit to tidy this up on the simpler here. This ensures that the kick really snaps to the grid by aligning the start of the sample hit point.

  • Make it Mono
    The next thing I'm going to do is make the kick mono. It will come straight down the center of the mix, which is a good place for a kick drum to sit, along with the snare.

    • Action: Put the utility device on and bring it to mono.
  • Adding EQ
    Now, I'll pop on some EQ and give it a little shape. Double-click this to see it a bit bigger.

    • Frequency Adjustments:
      • Take a little bit of a low frequency out using a low cut.
      • Do a little boost to the low frequency end, maybe around 60 Hz.

    This band here is a bell curve. I can boost or cut specific frequencies with this band. I want to give a little more low end to the kick by adding a bit more bass frequency.

  • Compression
    I'm going to pop on some compression here. The trick is to make the kick drum a little punchier.

    • Settings:
      • Adjust the strength
      • Set the ratio
      • Slow down the attack
      • Take off the auto makeup
      • Lower the threshold

    I've reduced the volume even though it's a bit more aggressive, so I need to make up for that by adding maybe 6 dB.

Snare Drum Adjustments

Now, I'm pretty happy with the kick. Next, I'll work on the snare.

  • Snare Drum Setup
    Coming out of the simpler device, I'm going to grab my EQ to give it a better shape.

    • Frequency Adjustments:
      • Take a little bit of the high frequency out
      • Remove some lows

    Let's grab a compressor and increase the ratio. I'll lower the threshold and adjust the attack so the compression happens a little quicker. That sounds good!

Adding Effects

I want to add a little reverb to the snare, and I like to do this with a send-return configuration.

  1. Create a Return Track

    • Go to Create -> Insert Return Track. This is an auxiliary track where I can route a certain sound to this track that has an effect on it.
  2. Insert Reverb

    • Put in a reverb here and ensure the effect is on 100% wet.
    • Send the signal to this track. Check Solo In Place to hear the reverb coming through.

Working on Percussion

Next, I'll come over to the percussion track:

  • Percussion Track Setup
    Loop up a little section and solo it. I'll throw on my trusty EQ.

    • Frequency Adjustments:
      • Trim away high frequency energy that sounds a bit bright.
      • Remove unwanted low frequency energy.
  • Using the Glue Compressor
    I'm going to grab the Glue Compressor to compress multiple drums together.

    • Lower the threshold and adjust as needed.

More Reverb and Effects

Now, I'll get another return track for a different type of reverb. I'll label this one a medium reverb and load it up.

  • Using Reverb on Shakers
    For the shakers, I'll use my EQ8 again to visualize and effectively cut unwanted low frequency energy and some high frequencies to smooth them out.

  • Compressing Shakers
    I'll copy over the glue compressor settings from the percussion track and drag it onto the shaker track.

Crash Cymbal and Brush Drums

  • Crash Cymbal Setup
    Again, I'll use EQ to cut low frequency energy and brighten it up with a high shelf to enhance high frequency energy.

    • Add medium reverb after making adjustments.
  • Brush Drums Setup
    I'll check the brush drums. The sample leans to the right-hand side, so I'll pan it to the left to balance it out. I need to trim some low and high frequencies there as well.

  • Compression for Brush Drums
    Similar to the snare compression, I'll copy those settings over.

Grouping Drums

I want to get all of the drums going to one place to group them.

  • Grouping Tracks
    Using Shift, select all different drums, including the crash cymbal, and right-click to group tracks.

  • Apply Compression to the Group
    Use the Glue Compressor on the group track to help everything sit together.

Final Adjustments

I noticed another sample under the drums that needs attention.

  • Last Sample Adjustments
    Use EQ8 to remove any bass notes and fine-tune using the fine-tuning feature in the simpler device.

Focusing on Musical Elements

Next up, I'll mute my drums and focus on the hang drum.

  • Hang Drum Processing
    I'll start with EQ to cut low frequencies and adjust for resonance.

    • Compression: Use the Glue Compressor to even out the sound.
  • Adding Reverb
    Three different types of reverb will be added: small, medium, and large.

Bass Line Improvements

Lastly, I think the bass line needs some improvements.

  • EQ for Bass
    Put in some EQ to cut extra low end and mid-range frequencies for clarity.

  • Saturation
    Add Ableton Saturator in soft sign mode for a tape-like saturation effect.

  • Final Compression
    Add compression to refine the bass sound.

With these steps, I believe the track will come together beautifully! Happy mixing!

13 US$/mesSuscripción

14 lecciones

2h 26m de lecciones en vídeo estructuradas

Funciones de vídeo avanzadas

Ralentiza, repite un pasaje, sigue la partitura

Móvil, tablet y ordenador

Practica donde quieras

Garantía de satisfacción 100%

30 días de garantía de devolución

Conoce a tu gurú

John Watson

John Watson

Tras hacer prácticas con Dave Allen, productor de Depeche Mode y The Cure, John se sintió inspirado para estudiar Tecnología Musical en Londres. Su carrera musical despegó tras un exitoso fichaje por CookShop Records, con el que publicó 9 sencillos y un álbum en 2007 que recibió críticas entusiastas de Q, Uncut y Lowdown Magazine, además de sonar en XFM y Radio One.

John empezó a formarse como ingeniero de sonido en el estudio Bonafide en 2005, donde perfeccionó su talento, y ese mismo año fundó Jackdaw Recordings. Ha colaborado con numerosos artistas de éxito y, en 2007, comenzó a tocar para el músico pop Patrick Wolf, actuando en salas de primer nivel tanto en el Reino Unido como a nivel internacional, incluidos The Astoria y el Shepherds Bush Empire.

Desde su estudio londinense, John ahora compone música, con dos lanzamientos más en CookShop, se ocupa de la ingeniería de sonido para artistas destacados y crea diseño sonoro para anuncios de televisión, cine, teatro y vídeo corporativo.

Esa infrecuente combinación de compositor, productor e ingeniero de estudio en activo es justo lo que John aporta a su enseñanza. En Creative Composition & Production in Ableton Live y Creative Sampling & Production in Ableton Live, te muestra cómo transforma ideas en bruto en temas terminados y listos para publicar: la composición, el sampleo, el diseño sonoro y el saber hacer práctico de la ingeniería que hay detrás de un disco profesional.

John Watson
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Aprende con John Watson y cientos de otros profesores

Acceso ilimitado, con garantía de devolución

13 US$/mes

Suscripción