Conseguir un contrato discográfico

Katie Melua
Katie Melua

Lesson time: (2min 54sec)

Chris Cooke de Complete Music Update explica por qué hoy tienes que hacer más para conseguir un contrato discográfico, ya que las discográficas esperan a que un artista esté más consolidado antes de hacer su inversión.

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This lesson is part of the course Conviértete en músico profesional
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Lesson transcript:

The Evolving Landscape of the Music Industry

Chances are you'll have a manager and an agent before a label. However, the record company is often the first business to invest a serious amount of money in you, your career, and your business as an artist.

Current Industry Trends

Generally, labels are signing artists later than they used to. They are looking for artists who:

  • Can play in bigger venues
  • Have a larger fan base

In the 90s, a bit of buzz, great songs, and a couple of energetic performances might have been enough to secure investment from a label.

Expectations from Labels Today

Now, labels are looking for more. While the A&R might want to sign you based on your songs and performance, within the record company, especially larger ones, there will be people in business affairs asking key questions, such as:

  • How many fans do you have?
  • How many records can you sell?
  • How many tickets can you shift?

You need to do more of that.

The Financial Climate of Record Labels

This shift is partly due to the fact that labels have less money; recorded music generates less revenue than it did in the past. Record companies predominantly secure their investment by selling records.

Because they sell fewer records, make less money, and have less profit, they are investing more wisely. Consequently, they are looking for artists to do more work themselves.

The Impact of the Internet

However, artists today can do things that were not possible in the 90s. Even before the rise of the World Wide Web, labels faced financial troubles but couldn't expect artists to distribute their content easily.

  • Pressing CDs was expensive.
  • Getting CDs into record shops was difficult.
  • Gigging required local venue knowledge, and promoting gigs outside of your hometown was challenging.

You could only expect artists to manage so much, often relying on basic tools like photocopiers at local libraries.

The Dual Nature of Current Music Industry Expectations

So, this change in expectations is twofold:

  1. Cautious Label Investment: Labels are more careful with their money and tend to invest later.

  2. Increased Artist Independence: Artists can now do more on their own, which also leads to the expectation that they will.

While this increase in responsibility can feel like more work, creating a downside, the upside is that when artists start to negotiate initial deals, they are often further along in their journey.

Advantages for New Artists

This means you gain a stronger negotiating position.

However, it doesn't necessarily guarantee:

  • More money
  • Ownership of your copyright

These are the things that managers and seasoned artists often stress artists should focus on.

Building Your Fan Base

Nevertheless, artists will likely have a clearer idea of their fan base and already established social media presence, allowing for more ongoing conversations.

This connection provides artists with:

  • Greater control even once a label and other business partners come on board
  • An opportunity to have more influence over the business side of their work

If you're an entrepreneurial artist, having greater control can be incredibly exciting.

Conclusion

In conclusion, if you are an entrepreneurial artist, this is arguably the best time to be a new act in the music industry.

About the instructor

Katie Melua
Katie Melua

Katie Melua es una de las artistas más exitosas del Reino Unido, con más de 11 millones de álbumes vendidos en todo el mundo y una serie de discos multiplatino. Nacida como Ketevan Melua en Kutaisi (Georgia) en 1984, se trasladó con su familia a Belfast siendo niña y más tarde estudió en la BRIT School de Londres, donde fue descubierta por el compositor y productor Mike Batt. Su álbum debut, 'Call Off the Search' (2003), publicado cuando tenía 19 años, pasó seis semanas en el nº 1 del Reino Unido y alcanzó seis discos de platino, impulsado por el éxito 'The Closest Thing to Crazy'. Su sucesor, 'Piece by Piece' (2005), encabezó las listas de toda Europa e incluyó su canción más emblemática, 'Nine Million Bicycles'. En 2006 entró en el libro Guinness de los récords al ofrecer el concierto submarino más profundo jamás celebrado, a 303 metros bajo el nivel del mar en una plataforma de gas del mar del Norte. Le siguió una notable serie de álbumes top ten — 'Pictures' (2007), 'The House' (2010, producido por William Orbit), 'Secret Symphony' (2012) y 'Ketevan' (2013) — mientras Melua refinaba un sonido que se mueve con naturalidad entre el jazz, el folk y la mejor tradición pop. 'In Winter' (2016), grabado en Georgia con el Gori Women's Choir y producido por ella misma, reveló una nueva profundidad en su arte. Su obra reciente es la más personal: 'Album No. 8' (2020) y 'Love & Money' (2023) recibieron algunas de las mejores críticas de su carrera, y 'Live at the Royal Albert Hall' (2024) celebró dos décadas en la cima de la música británica. Sigue siendo una intérprete cautivadora en directo, con giras constantes por Europa y más allá. read more

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