Inspeccionar y preparar las voces
Lesson time: (3min 40sec)
Goetz explica la complejidad de preparar las voces. Demuestra el poder de Melodyne para ajustar voces potencialmente desafinadas.
Course preview
This lesson is part of the course Mezclar música pop comercial
Watch a preview of the full course below.
Lesson transcript:
Welcome Back to the Course!
So now we sort of looked at timing and replacing drums, making sure your groove is okay. I just want to quickly also talk about something else that's equally important.
Tuning Vocals
Quite often, unfortunately, in this day and age, stuff comes in with problems, specifically, tuning. I often receive sessions where the vocals are really out of tune or some instruments have issues, but the main problem is usually the vocals.
Tools for Tuning
I actually spend a lot of time tuning vocals these days.
- Melodyne: My favorite tool.
- Autotune: Another option, but I prefer Melodyne.
Demonstration
In this lesson, I'm demonstrating with a singer who is actually very good. There are no significant tuning issues, just tiny tweaks in one or two places, but really nothing at all.
I want to quickly show what Melodyne looks like.
- Transfer Process: Melodyne transfers the audio file into memory and creates a new audio file that gets worked on.
- Visual Representation: You can see the notes here; they're pretty much aligned on the grid. If one deviates too much, there are various tools available to move them up and down.
I won't play this audio clip out of respect for the artist; she's genuinely in tune, so there was very little for me to adjust.
Tips for Using Melodyne
- Practice: Tuning vocals with Melodyne takes some practice, but it's fairly straightforward.
- Grid Movement: You can move the notes around on a grid, and they usually snap to the nearest note. Just double-click on it to snap to the nearest pitch if there's too much wobble.
- Pitch Modulation Tool: There's another tool called the pitch modulation tool that allows you to straighten out notes.
Final Thoughts
If you have the software, learn how to use it, and don't be afraid to fix pitch issues.
- A mix is never going to sound right if the lead vocals are out of tune.
- If no one else has corrected this by the time it reaches you as the mixer, it's your responsibility to do so.
By fixing it up, you will greatly improve your mix.
Conclusion
So, there we go! Those are two very important things to check before you even start mixing:
- Ensure everything is in time
- Make sure everything is in tune
Otherwise, your job will be impossible.
This may sound like a lot of preparation work, but if you follow these steps and prepare your mix well, it will come together quickly and sound amazing.
About the instructor

A principios de los años noventa, Goetz Botzenhardt se formó en los Swanyard Recording Studios, asistiendo a productores de primer nivel como Flood, Alan Moulder y Tom Lord-Alge, y se curtió grabando y mezclando a las bandas de dance y acid jazz de los 90: Incognito, Galliano, Soul II Soul y muchas otras.En Swanyard conoció a Rollo Armstrong y ambos formaron rápidamente una asociación creativa que dio lugar a muchos grandes discos de dance y remezclas y, poco después, a la grabación y mezcla de los dos primeros y aclamados álbumes de Faithless y del multiplatino 'No Angel' de Dido.Moviéndose entre géneros, grabó y mezcló el álbum debut de las Sugababes, 'One Touch', incluido su primer éxito 'Overload', y ha mezclado para The Cardigans, Bjork, The Cinematic Orchestra, Craig David, los Pet Shop Boys e Hikaru Utada, una de las artistas de más éxito de Japón.Más recientemente ha ampliado su trabajo al cine y la televisión, colaborando ampliamente con los compositores Christian Henson, Martin Phipps y Anne Nikitin, y mezclando la banda sonora de Daniel Pemberton, nominada a los Globos de Oro, para 'Steve Jobs', dirigida por Danny Boyle. Al margen del cine, produjo 'Closer to the People' de Tanita Tikaram, mezcló temas para Sigala, Ella Eyre, Breton, Planet Funk y Tito Jackson, y en 2016 mezcló el álbum de Peabo Bryson con Jimmy Jam y Terry Lewis. Una lista completa de su trabajo está en sus páginas de discografía y filmografía en goetz-botzenhardt.com.Goetz trabaja desde su propio estudio y sala de mezcla, construidos en torno a una consola SSL E4044, monitorización surround Adam 5.1, un sistema Pro Tools HDX de 48 canales y equipo outboard selecto. En sus cursos te lleva al interior de esa sala para mostrar cómo mezcla en dos mundos muy distintos: en Mixing for Film & TV Score, cómo equilibra y da forma a bandas sonoras orquestales e híbridas al servicio de la imagen; y en Mixing Commercial Pop Music, cómo construye mezclas de pop contundentes y listas para la radio desde la multipista. read more




