Slam

Tommy Webb
Tommy Webb

Lesson time: (4min 45sec)

Tommy Webb bringt dir 'Slam' bei, ein Metal-Band-Stück, das auf abwärts angeschlagenen E5- und A5-Powerchords mit heftiger Verzerrung und straffem Rhythmus aufbaut.

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This lesson is part of the course Gitarren-Methode: Indie & Hip-Hop
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Lesson transcript:

Music Lesson: "Slam" - Metal Inspired Piece

Introduction

The song we're looking at now is "Slam" from a metal inspired piece. This is going to be a lot of fun!

Technique

  • We're going to use down plucking for the whole piece to achieve that really tight, aggressive sound.
  • We want a distorted tone, so:
    • Make sure your amp is on the distortion channel.
    • Turn the gain really high.
  • Use the bridge pickup to cut through the distortion for clarity while maintaining a heavy sound.

Song Structure

This song is heavily based on power chords, particularly in lines two and three.

Melody

To start off, we have a little melody that sounds sludgy and slow. We want that heavy sound coming through:

  1. Open E String:
    • Ensure a good attack to let the distortion ring through clearly.
  2. Follow with:
    • C: The third fret on the A string.
    • B: The second fret.
      • Play the third fret with your middle finger and the first fret with your first finger.

Rhythms

  • We maintain the finger per fret method, simply shifting up one fret.
  • The rhythms in Bar Two:
    • A half note followed by two quarter notes.
    • Sequence: Open A string, the third on the E string (G), back to that A string at the end.

First Two Bars

Here's a breakdown of the first two bars:

  • E, C, B, open A, third on the E string (G), open A.

Bars Three and Four

  • Bars three and four are similar to one and two:
    • Bar three mirrors the first bar.
    • There's a cool lick at the end of bar four to descend back to that E note.
      • Play open A to the third fret on the E (G), finishing with open E.
      • Use a nice firm touch for the half note E.

Line One Practice

Here's line one, which I'll take slowly so you can join in:

Count in: 1, 2, 3, 4.

  • Palm Muting:
    • When playing the open E string in bar one, make sure the E has stopped when you're playing the third fret on the A.
    • Use your palm to mute the E string to avoid any crossover.
    • This prevents a messy sound we want to avoid.

Lines Two and Three

  • This part is the most fun in the song! We're playing power chords.

E5 Chord

  • Play the E power chord five times (five quarter notes):
    • 1, 2, 3, 4, 5
    • Followed by three beats of rest and a quarter and half note.

A Power Chord

  • In bars three and four, we do the same with an A power chord:
    • Play the second fret on the D string with the Open A above.
  • Count:
    • 1, 2, 3, 4, 5, 4.

Line Three

  • In line three:
    • We have the same movement but with seven strums of each chord.
    • Sequence: Six quarter notes and a half note to finish.
    • Count:
      • 1, 2, 3, 4, 5, 6, 7, 8.

Line Four

  • Line four is the same as line one.

Practice Tips

  • Take this song nice and slowly.
  • Ensure you're only playing the strings indicated when playing power chords.
  • Feel free to loop this song until you're comfortable before building up speed gradually.

Performance Note

  • In this metal style, you can pick a bit harder to give the amp more power and distortion.
  • Listen to the difference:
    • If I go from soft to hard: the harder I pick, the more compressed the amp gets, creating that desired metal distorted sound.

Final Thoughts

  • Slow it down, build up gradually, and let's give it a go with the backing track!

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more

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