Rhythmuspart mit dem C-Akkord
Lesson time: (2min 0sec)
Course preview
This lesson is part of the course Gitarren-Methode: Indie & Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Lesson 3: Introduction to the C Major Chord
Example 3 is our first look at an open chord.
Understanding the C Major Chord
We are going to learn a C major chord.
- We know it's C major because after the letter C, it doesn't have any other information.
- If we saw a small m (like C minor), that would indicate it's a C minor chord.
- But because there's nothing written, just C tells us it's C major.
Playing the C Major Chord
We will play this chord on the top three strings‚ the skinniest strings: G, B, and E.
- The only note we're fretting is the first fret on the B string, which is a C.
- So that's how we know it works: we've got that C there.
- Here's the breakdown:
- Open G
- First fret on the B (which is C)
- Open E
Technique
Similar to the previous example, it's all about playing right on our fingertips.
- If we don't, we're going to block that E string underneath.
Strumming
What I'd like you to do is work on strumming from the G string down.
- As we did with the power chords, utilize that kind of circular motion.
- We don't have to worry about playing strings underneath because there are none.
- However, it's really important that we're playing from the G string.
- Otherwise, it starts to get really muddy and stops sounding like a C chord‚ more like a blur.
Key Points
- We're trying to play from the G string down, as always, firm but not hard.
- We're just stroking the strings‚ not digging in.
- Otherwise, we'll get the pick caught up in those strings, and it'll sound really horrible.
Rhythm and Notation
We are playing these chords in a mixture of whole notes and half notes:
- First two bars: Whole notes
- Bar three: Half notes
- Bar four: Whole note
We're really comfortable with this notation now and these rhythms, so I won't explain that too much.
The key thing here is making sure we're up on our fingertips and pushing into that note to get a nice ringing chord.
- We don't want this kind of sound.
- Nice and firm, pushing in on fret one, getting that to ring out nice and clearly.
Practice
So, let's give it a go with the track!
About the instructor

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more




