Party People
Lesson time: (7min 20sec)
Course preview
This lesson is part of the course Gitarren-Methode: Indie & Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Lesson: "Party People" - Guitar Tutorial
Introduction
Our second tune is Party People. You can see I've swapped guitars. This song is a pop song and we want that crisp, thinner sound.
Setting Up Your Sound
- Turn Off Distortion: With your amps, turn off the distortion. We want it nice and clean.
- Adjust Gain: Roll back the gain to ensure a clean sound for this song. No distortion, just nice and crisp.
Playing Positions
This song requires us to be wary of changing positions twice:
-
First Two Lines:
- Play one finger per fret on the first, second, third, and fourth frets.
-
Line Three:
- Shift up one fret:** 2, 3, 4, 5.
-
Line Four:
- Shift back to the original positions:
- First fret: first finger
- Second fret: second finger
- Third fret: third finger
- Fourth fret: fourth finger
- Shift back to the original positions:
Rhythm Overview
- Bar One: Quarter notes
- Bar Two: Half notes
- Bar Three: Quarter note rest on beat two
- Bar Four: Whole note
Practice Tips
- Focus on Bar One: The notes are quite fast.
- G Note: Play your third finger on the E string to get the G note.
- Next Notes:
- Open A with your middle finger on the second fret of the A string for B
- Open D
Practice Loop:
- I suggest looping this a few times to get it under your fingers, as it is quite complicated.
- Goal: If you can do that five times in a row, you're ready to move on.
Detailed Breakdown of Bars
Bar Two
- Notes: C (third fret on the A string) to B (second fret on the A string)
- Duration: Each lasts for two beats.
Bar Three
- Rest on the second beat
- Bar Four: Finishing off with that whole note.
Playing the First Line
We're going to try and play through line one together now at a slower tempo. Remember, you can loop this at home, so make sure you have this first line really comfortable before moving on.
Counting Out Loud
When practicing this line, it's really good to count out loud. This way, we can tell when we're playing the notes and we can hear the rests. We're not just rushing through them.
Example:
- "1, 2, 3, 4."
- "1, 2, 3, 4."
- "1, 2, 3, 4."
- "1, 2, 3, FOUR."
This keeps us in time and builds the connection between seeing a note and understanding how long it lasts.
Line Two: Chord Transitions
Line two is a really cool example of moving between chords we've already learned:
- Chords Sequence:
- G
- E minor
- C
- Back to G
- G: Third finger on the third fret.
- E minor: Second fret, second finger.
- C: First fret, first finger.
- G: Finish with the third finger.
Practice Technique
This might take some time as well at home to practice, as it is quite fiddly. You want to make sure all the strings are ringing out clearly.
- Strumming Technique: Use your circle technique for strumming. Use your hand to help count and keep time.
Line Three: More Complexity
In line three, we see a lot of quarter notes and three sets of half-note rests.
Breakdown:
-
Bar One:
- E, which is the second fret on the D string (played with the first finger).
- Open D string.
-
Bar Three:
-
Play open G and then fret 4:
- Fret 2 (E) played with the first finger.
- Fret 3 on the A string (using your middle finger).
-
Fret 4: This is called F sharp (sharping the F we previously learned).
-
Practice Loop:
- Loop this bar until you can play it five times through before moving on.
Ending Bar Three
- Finish with the open D string played twice as quarter notes.
Line Four: Final Moves
Line four and line one are very similar, with only a change in bar three.
-
First Two Bars: Same as before.
-
Bar Three Changes:
- Descending line from open D to third (C), second (B), and open A.
- Finish with the third fret on the E string, which is a G.
Final Practice
- Loop the last two bars until you're comfortable.
- Pace Yourself: Take this at your own pace and build up gradually.
Conclusion
Learn one line before moving on to the next, and work on sticking it together gradually. The song is quite quick, so take your time.
Looking Forward: I'll see you in the performance when you feel like you're ready!
About the instructor

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more




