Rhythmuspart mit dem e-Moll-Akkord
Lesson time: (2min 37sec)
Tommy Webb bringt dir den e-Moll-Akkord bei, deine erste Moll-Form, mit der Fingerkuppen-Technik, die du für saubere, klare Töne brauchst.
Course preview
This lesson is part of the course Gitarren-Methode: Indie & Hip-Hop
Watch a preview of the full course below.
Lesson transcript:
Hip Hop Part Two: E Minor Chord and Four-Note Chords
We've made it to Hip Hop part two, the final section from our stylistic studies.
In this section, we're going to look at:
- Playing an E minor chord: Our first minor shape.
- Playing some four-note chords using four strings.
- Connecting the three chords we've learnt together.
Let's get started!
The Funk Connection
One fun thing about hip hop is that it often samples funk music, with funk guitar playing. It's really common to use a wire pedal, which is what I've got here. It gives the guitar a kind of throaty sound, almost like a voice.
As always, if you don't have this pedal at home, that's totally fine. It's just something we can start to look at in the future as you progress with your guitar playing.
Example One: E Minor Chord
In example one, we're going to look at an E minor chord.
We've learned major chords already (C major and G major), and we tend to think of these major chords as sounding happy, while minor chords are often considered the opposite‚ sad.
How to Play E Minor
To play the E minor chord:
- Use your middle finger (second finger) to play the second fret on the D string.
- All the other strings (G, B, and E) are going to be played open.
Important Technique Note: It's crucial to lift our middle finger up, making sure we're on our fingertip so that our finger doesn't block any of the open strings underneath.
Technique Comparison
I'll play two examples:
-
Bad Technique: Not playing on my fingertip, but resting my finger down lazily on the strings.
- Sound Check: If I pluck through the strings:
- D rings out clear.
- G is blocked.
- B is just about audible.
- E is blocked.
- Overall, we're really not hearing the sound of that chord come through.
- Sound Check: If I pluck through the strings:
-
Good Technique: Playing right on the fingertip and nice and high so all the strings can ring out clearly.
Practice Exercise
To play this example, we're playing our E minor as a four-beat chord:
- Use a whole note.
- We have four bars of this and will work on strumming through the strings from the D string down.
As always with our chords, try to use a circular motion so that we're not hitting any unwanted strings.
Give that a go on your own, and I'll see you in the backing track!
About the instructor

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more




