Melodie mit Alternate Picking und der Note D

Tommy Webb
Tommy Webb

Lesson time: (2min 47sec)

Tommy Webb bringt dir die Note D auf der B-Saite bei und nutzt sie, um Alternate Picking zu üben und die Koordination beider Hände aufzubauen.

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This lesson is part of the course Gitarren-Methode: Indie & Hip-Hop
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Lesson transcript:

Example Three: D Note on the B String

In example three, we're using a D note on the B string. This is the octave up from our open D string. As always, you can play these two together to hear the differences in range, but not in pitch.

Alternate Picking

This is another example that is testing our alternate picking.

The First Bar

The first bar is quite tricky. We need to build our coordination.

  • Practice Transitioning: Before we start this phrase, I'd like you to work on going from D (the third fret on the B string) to C (the first fret), using alternate picking.

What I mean by that is:

  • D
  • C
  • D
  • C
  • D
  • C

Tip: Leave your first finger pushed down the whole time. This gives you the smoothest sound. Rather than lifting your first finger, it's much easier to keep it pushed down.

This technique also helps when you come to hammer-ons and pull-offs eventually, as this is essential for playing these correctly.

Building Coordination

So, we're leaving our first finger down. Take some time to welcome going between those two notes and connect your fingers up, building your coordination.

Example Breakdown

Taking a look at example three, we've got:

  • The third fret on the B string, which is D, our new note.
  • To C.

We're going to play D, C, D, D, all with alternate picking:

  • Down, up, down, up.

In the second bar, we just have C, so we're only focusing on our picking:

  • Down, up, down.

You can see the third note is a half note lasting for two beats, which means we don't need to play the up.

Starting with a Down Pluck

You can also see in bar three, it's telling us to start with a down pluck. We went over this earlier, saying that at the start of every bar, beat one should be plucked down.

So, we might need to work on this for a second, getting used to switching between alternate and down plucking.

  • Bar three is the same as bar one, and the final bar is finishing on a whole note on D.

Practice Slowly

So let's take that really, really slowly, working through that together.

  1. Count: 1, 2, 3, 4, down pluck.

Playing with the Backing Track

Now, we're going to try and play along with the backing track. It's a little bit faster, so build up to it gradually before you give it a go.

About the instructor

Tommy Webb
Tommy Webb

Tommy Webb ist ein in London ansässiger Gitarrist, der einen BA(Hons)-Abschluss in Gitarre an der Academy of Contemporary Music in Guildford absolvierte, wo er bei Sandy Beales (One Direction, Wheatus) und Nicolas Meier (Jeff Beck) studierte. Sein eigenes Spiel bewegt sich frei zwischen Rock, Pop, Indie, Hip-Hop, Country und Metal – genau dem Terrain, das seine Gitarrenmethoden abdecken. Tommy hat landesweit mit einer großen Bandbreite an Künstlern und Bands gearbeitet, darunter Jarki Monno und Indira May, und teilte sich Bühnen und Sessions mit den Gitarristen Paul Murray (Jess Glynne, Zak Abel) und Adam Chetwood (Paolo Nutini, Mark Ronson) sowie den Schlagzeugern Alex Woodward (Black Honey), Luke Robinson und “Bambi Music” (N-Dubz, Lethal Bizzle, Wretch 32, Tinie Tempah). Auf der Bühne trat er im Jazz Cafe als Vorband der Soulsängerin Jocelyn Brown auf, dazu in Clubs und auf Festivals wie Ronnie Scott's, Troy Bar, The Watford Colosseum, Camden Assembly, Kensington Roof Gardens, Notting Hill Arts Club, Meraki Festival und Sundown Festival. Auf Platte und im Radio hat Tommy Live-Sessions für BBC Three Counties Introducing, Vibe FM und Pulse 88 eingespielt, mit Tracks, die auf BBC Radio 1 und Radio 2 liefen. Aufgenommen hat er in Studios wie South Lanes Brighton, Hempstead Road und Titan Studios mit Produzenten wie Steph Carter (Gallows, Lyoness) und TMS / Froe Barnes (Lewis Capaldi, Dua Lipa). In seinen Gitarrenmethoden gibt Tommy all dieses Wissen eines aktiven Musikers an dich weiter – er lehrt die Techniken, Sounds und das Feeling hinter echten Stilen, von Rock und Pop über Indie, Hip-Hop und Country bis Metal –, damit du die Musik spielen kannst, die du wirklich liebst. read more

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