Die Bedeutung von "Slogans" und Songtexten
Lesson time: (8min 8sec)
Course preview
This lesson is part of the course Werde unter Vertrag genommen!
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Lesson transcript:
The Importance of Slogans in Songwriting
More than just the name of the artist or the band itself, it's crucial to discuss the significance of incorporating slogans into your songs. The ability to articulate thoughts through lyrics is essential.
Here's what to consider:
-
Start with Basics:
- It doesn't begin with a computer.
- It doesn't start with buying Pro Tools 8.1 or Ableton.
- It starts with a piece of paper or possibly a notebook and a pencil.
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Inspiration from Everyday Speech:
- A person I greatly respect, Peter Waterman, achieved massive success using everyday sentences in his titles.
- Examples include:
- "I Could Be So Lucky"
- "Better the Devil You Know"
- Examples include:
- A person I greatly respect, Peter Waterman, achieved massive success using everyday sentences in his titles.
These are phrases that people commonly use. For a pop songwriter, crafting accessible music is often more challenging than creating complex tunes.
Advice for Aspiring Songwriters:
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Observe Public Conversation:
- I always advise students and aspiring songwriters to take public transportation.
- Get on the tube or the bus.
- Carry a notebook and a pencil to jot down what you hear.
- I always advise students and aspiring songwriters to take public transportation.
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Collect Slogans:
- Paying attention to what people say allows you to gather slogans.
- A slogan is something that resonates with people, that captures their imagination.
Creative Naming Techniques:
- Titles and headlines are clever if they spark people's imaginations.
For instance, I once signed an artist at Decca purely because of his name. He was a talented songwriter who wrote for others, even for Rihanna.
- When I first heard about him, I asked, "What's his name?"
- "Gary Go," was the reply.
- "What do you mean? Like, 'Go, Gary, Go?'"
- Yes, exactly!
His name intrigued me because it showed a twisted sense of humor. I wanted to meet him immediately.
Additionally, when he played me his song titled "I'm So," it highlighted his original approach. This enticed me as someone who was running the A&R department at Decca Records.
Understanding Market Dynamics:
- It's essential not to feel compelled to follow the market trends.
- Think differently than the market; if you follow it, the market may not embrace you.
- The age-old lesson: if they can have you, they don't want you; if they can't have you, they desire you.
This concept extends to how one manages offers from record companies.
Song Titles Matter:
- Avoid clich? titles like "I Love You Baby"; they've been done too often.
One of the most significant records to illustrate this point is Giorgio Moroder and Donna Summer's "I Feel Love."
- This track achieved immense success not just because of its innovative production but also due to its impactful slogan.
- No record at the time sounded like that: it featured root notes played on an early sequencer, layered with a beautiful gospel voice.
The contrast of the gospel voice against the robotic beats created a compelling dynamic.
The Power of a Catchy Title:
- The song isn't titled "I'm in Love" or "I've Been in Love." It's called "I Feel Love."
- This simple phrase is magnetic; it sticks in your mind.
With such a title, it implies freedom and exploration, resonating deeply with listeners.
In 1977 or 1978, when this record was released through independent labels like Hansa in Germany and Casablanca in the States, it would have likely confounded the mainstream A&R representatives of major labels at the time. They may have not understood its unique appeal.
Conclusion: Creating memorable music often requires stepping away from traditional norms and embracing originality in both lyrics and titles. Focus on what resonates with everyday listeners and strive to incorporate that understanding into your songwriting process.
About the instructor

Charlie begann seine Karriere in der Musikindustrie als frisch gebackener Anwalt und veranstaltete Konzerte, indem er Künstler wie Iggy Pop und Patti Smith vor ein radikales italienisches Universitätspublikum brachte. Nach seiner Arbeit im legendären Record Plant NYC und dem Eintauchen in die House-Szene gründete er mit Marco Sabiu die Rapino Brothers, zog 1990 nach London und blickte nie zurück. Dort eroberten sie das Jahrzehnt im Sturm, produzierten und nahmen Platten auf. Nach ihrem ersten Hit mit Kym Mazelles Love Me The Right Way steckten sie hinter Take Thats erstem Hit und produzierten, mischten und feilten in den 1990er-Jahren an zahlreichen großen Pop-Acts, von Kylie bis Primal Scream. 1997 war Charlie der „On-Air“-Produzent von „Get Your Act Together“ der BBC, gefolgt von „Full Frontal“ auf Channel 4. Von 1999 bis 2004 war er A&R Director bei Sony Music International. Seine Energie lässt nie nach. Über die Jahre hat er seine Zeit aufgeteilt zwischen Management-Beratung für Ennio Morricone, Beratung für das Magazin Rolling Stone, Arbeit an Soundtracks und Produktionsberatung für Filme und Spiele (darunter Iggy Pop dafür zu gewinnen, die Voice-overs für das Videospiel Driver 3 zu übernehmen) sowie dem Verpflichten und Managen von Acts über sein Joint-Venture-Label mit Sony, Stud Records. In Get signed! zieht Charlie den Vorhang zurück auf jahrzehntelange Erfahrung in Produktion und A&R, um dir genau zu zeigen, worauf Labels hören, wie du deinen Act formst und präsentierst und was wirklich nötig ist, um aufzufallen und einen Vertrag zu bekommen. read more




