Was meinst du damit, dass Talent ein Geschenk ist, Erfolg aber die Arbeit
Charlie Rapino erläutert sein Motto 'Talent ist ein Geschenk, Erfolg ist die Arbeit' und erklärt, wie Marketing, Branding und Identität rohes Talent in eine Karriere verwandeln.
Das steckt im Kurs
16 Lektionen (2h 16m) · 1 gratisTranskript der Lektion
Marketing, Branding, and Identity in Music
In this next section, I'm going to chat with Charlie about:
- Marketing
- Branding
- Identity
- How artists create a visionary sense
This encompasses understanding or tapping into a zeitgeist as part of the package that takes pure talent further into the realms of success.
Talent is a Gift, Success is the Job
Charlie, you've titled this course "Talent is a Gift, Success is the Job." What do you mean by that?
"It's exactly what I mean. You can be a very talented songwriter, artist, producer... anyone who, with a pair of hands and a little bit of brain, can produce something interesting. It doesn't have to be beautiful or exceptional, but something interesting. However, if you don't find a way to make it accessible to the market or the consumer, even worse, real talent stays in a little studio between you and your friends."
You can't just expect to be talented and walk into a record company office or even a film production office and say, "Hey, I'm talented. Sign me."
"There's more to the package. Unfortunately, it doesn't work like that."
Understanding Branding and Marketing
You've shared seminal moments in your biography about understanding branding, logo, image, and the package that comes with talent as success. What does that mean to you? How do you define marketing and branding?
"I think I'm not a marketing man. I work a lot with marketing professionals, and let's face it, marketing can be a very bad word because it implies applying concepts learned at university and dumping a lot of money into it, hoping for a hit or a successful product."
To me, marketing or branding is what you apply to your talent to make it interesting and to get noticed.
Examples of Branding
- If David Jones had called himself David Jones and not David Bowie, I don't think he would have sold the same amount of records.
- Iggy Pop, if he was called James Osterberg, he might evoke thoughts of an osteopath.
"James Osterberg sounds a little bit like an osteopath, a shrink, you know, psychoanalyst. But Iggy Pop? That's intriguing! Automatically, in the mind of an average teenager like me, somebody called Iggy Pop is like, wow, I want to hear that."
What else comes with the package?
- The first thing is the name.
Some people are lucky, they're born with a great name.
- Frank Sinatra is very musical.
- Frank Zappa is very musical.
- Miles Davis is very musical.
But if you call someone Reginald Dwight, you've got a problem.
"I don't think that Elton John, if he had called himself Elton Reginald Dwight, would have sold the same amount of records or had the same type of attention. Because Elton John is a very strong brand; it's a very strong name."
Powerful Branding Examples
Kiss is a perfect example.
- The way their logo was designed, even referencing controversial elements, immediately grabs your attention.
- Think about their titles, such as "Kiss Destroyer", you can imagine the effects it could have had in the 70s on a 16-year-old in America.
"Immediate attention, you know? That's branding."
16 Lektionen
2 Std. 16 Min. strukturierte Videolektionen
Erweiterte Videofunktionen
Verlangsamen, Passagen loopen, mitlesen
Handy, Tablet & Desktop
Üben, wo du willst
100 % Zufriedenheitsgarantie
30 Tage Geld-zurück-Garantie
Lern deinen Guru kennen

Lern deinen Guru kennen
Charlie begann seine Karriere in der Musikindustrie als frisch gebackener Anwalt und veranstaltete Konzerte, indem er Künstler wie Iggy Pop und Patti Smith vor ein radikales italienisches Universitätspublikum brachte.
Nach seiner Arbeit im legendären Record Plant NYC und dem Eintauchen in die House-Szene gründete er mit Marco Sabiu die Rapino Brothers, zog 1990 nach London und blickte nie zurück. Dort eroberten sie das Jahrzehnt im Sturm, produzierten und nahmen Platten auf. Nach ihrem ersten Hit mit Kym Mazelles Love Me The Right Way steckten sie hinter Take Thats erstem Hit und produzierten, mischten und feilten in den 1990er-Jahren an zahlreichen großen Pop-Acts, von Kylie bis Primal Scream.
1997 war Charlie der „On-Air“-Produzent von „Get Your Act Together“ der BBC, gefolgt von „Full Frontal“ auf Channel 4. Von 1999 bis 2004 war er A&R Director bei Sony Music International.
Seine Energie lässt nie nach. Über die Jahre hat er seine Zeit aufgeteilt zwischen Management-Beratung für Ennio Morricone, Beratung für das Magazin Rolling Stone, Arbeit an Soundtracks und Produktionsberatung für Filme und Spiele (darunter Iggy Pop dafür zu gewinnen, die Voice-overs für das Videospiel Driver 3 zu übernehmen) sowie dem Verpflichten und Managen von Acts über sein Joint-Venture-Label mit Sony, Stud Records.
In Get signed! zieht Charlie den Vorhang zurück auf jahrzehntelange Erfahrung in Produktion und A&R, um dir genau zu zeigen, worauf Labels hören, wie du deinen Act formst und präsentierst und was wirklich nötig ist, um aufzufallen und einen Vertrag zu bekommen.




























