Deine Mandoline stimmen

Tom Bekeny
Tom Bekeny

Lesson time: (5min 17sec)

Tom erklärt, wie eine Mandoline gestimmt wird, und ermutigt dich, zu versuchen, dein Instrument nach Gehör zu stimmen.

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This lesson is part of the course Mandoline für Anfänger mit Tom Bekeny
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Lesson transcript:

Mandolin Tuning Lesson

Okay, so let's really start doing some things with the instrument here.

Getting Started: Tuning the Mandolin

First of all, you have to learn how to tune it. A mandolin is tuned in fifths, just like a violin. The reason it's called "fifths" is:

  • For example, here is a D note.
  • The next note up from it is the A.

If you count up on your fingers: D, E, F, G, A, that's a fifth.

The Note Arrangement

The notes are:

  • G
  • D
  • A
  • E

You'll notice we have pairs of strings that are tuned to unison. So, the two Gs should be identical, the two Ds, two As, and two Es are also tuned in unison.

Developing Your Ear

Learning how to tune is not just about getting the notes right; it's a great opportunity for those of you who haven't played other instruments or music much to develop your ear.

Tuning Methods

There are different ways to tune, but let me explain one that will help you develop your ear, especially in being sensitive to when a note is too high (sharp) or too low (flat).

  1. Get a Reference Note:

    • Say, get a G from a friend who's in tune, or from a piano.
  2. Match the G:

    • Once you have that G matched to your reference note, count up to the seventh fret, fret that note, and match the D.
  3. Adjust Your D String:

    • Adjust your tuning peg to match the D to the G.
    • Once you get the D in tune, fret the D at the seventh fret, hit the A open, and match that note to it.
  4. Tune Your E String:

    • Fret the A string at the seventh fret and match it to the E open.

Using a Tuning Fork

If you don't have a G as a reference note, you can use a tuning fork tuned to 440A.

  • You have to do it backwards:
    • Get your A note in tune with the tuning fork.
    • Go backwards to adjust the D string to match that open A.

Once you get the D adjusted, hit the D open as your target note:

  • Fret the G string at the seventh fret and match it.
  • Lastly, get your E in tune, presumably while keeping your A at pitch. Fret the seventh fret of the A string and hit the E open.

Continuous Improvement

Remember, you'll get better at this the more you do it. Rely on your ear for making slight adjustments and recognizing when a note is a little sharp or a little flat.

Believe it or not, even after playing for over 30 years, I feel like my ear is still improving. With every year, I'm gaining a better idea and a better sense of the subtleties of sharp and flat notes.

Advanced Tuning Techniques

Another way to tune the mandolin is for when your ear has developed further.

  • Harmonic Tuning: You might have heard violins. Once they get a reference note, like a G, they play the two notes together (G and D) while bowing and dragging out the note. This allows you to develop a sense for what a perfect fifth sounds like, enabling you to make adjustments until that interval sounds in tune.

Using a Tuner

Lastly, you can use a tuner.

  • If you rely on it exclusively, you might miss the opportunity to train your ear, but tuners are very helpful.
  • They can exactly tell you when you're sharp or flat.

Even with a tuner, you can use it as an ear training exercise, gradually internalizing the experience of being sharp or flat. However, I would recommend starting with tuning by ear first.

About the instructor

Tom Bekeny
Tom Bekeny

Tom Bekeny ist Mandolinist, Fiddler und erfahrener Mandolinenlehrer, der seit über 40 Jahren in den USA und im Ausland aufgetreten ist und unterrichtet hat - wenn er also aufschlüsselt, wie man spielt, lernst du von jemandem, der ein ganzes Leben sowohl auf der Bühne als auch im Unterrichtsraum verbracht hat. Er war Mandolinist in Bands der San Francisco Bay Area wie Done Gone, Tenbrooks und einer frühen Version der Grant Street String Band mit Laurie Lewis. Er trat mit Peter Rowan, den Rowan Brothers, David Grisman, George Cole, der Sängerin Lua Hadar und Jerry Garcia auf. Tom spielte fast 20 Jahre lang Mandoline in der hochgelobten Kathy Kallick Band und hat seit 1988 den Fiddle-Platz in High Country inne, Kaliforniens führender traditioneller Bluegrass-Band. Er hat mit vielen dieser Gruppen aufgenommen und wurde in der Sommerausgabe 2009 des Mandolin Magazine vorgestellt. Tom spielt außerdem in der überaus beliebten traditionellen Bluegrass-"Jam"-Band Bangers and Grass, an der Seite von Bluegrass-Größen der Westküste wie Jim Nunally, Steve Pottier, Bill Evans und Chad Manning. Über den Bluegrass hinaus spielt Tom Jazz-Mandoline mit seinem Trio The Missing Man Quartet (MM4), das geradlinigen Jazz mit originellen Arrangements spielt, die ihr Material aus der Welt des Jazz und den Standards des Great American Songbook schöpfen. 2013 veröffentlichte er ein Solo-CD-Projekt ("Jazzolin"), auf dem er Mandoline und Fiddle spielt, begleitet von Schlagzeug und Bass. read more

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20 lessons (1h 18m)
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