Techniken in der Praxis: Dark Hollow

Tom Bekeny
Tom Bekeny

Lesson time: (4min 31sec)

Tom Bekeny spielt den Bluegrass-Standard 'Dark Hollow' in C-Dur auf der Mandoline und zeigt, wie Tremolo und Slides die Melodie zum Leben erwecken.

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This lesson is part of the course Mandoline für Anfänger mit Tom Bekeny
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Lesson transcript:

Music Lesson: Dark Hollow

So let me play you a song called Dark Hollow. It's in the key of C major. This is another standard like the other songs I've been showing you. They're all songs and tunes you're really likely to encounter in a jam session.

I won't sing it, but I'll just play a real basic version of the melody using tremolo technique.

Basic Version

Okay, so that's the basic version of Dark Hollow using tremolo.

If you listen to it and look at the tab, you'll notice that there were a lot of places where I was sliding into notes.

  • There's an instance of a flatted fifth to a fifth.
  • That G note is the fifth of a chord.
  • Slide there.
  • There's a slide here. Slide, slide.

Ending Technique

Let me just correct that.

  • You can slide down, and that's the way I've written it in the tablature.
  • That slide there, if I slow it down, it kind of loses the effect. But really, just sliding down to that flatted fifth again and then picking up that note with my index finger in the second fret.

Variations

Another variation, rather than going open D, you can slide up and catch that D up here in a closed position. And that might sound better to you; just a slight variation.

Breaking Up Tremolo

The other thing about tremolo is that once you get comfortable just with the technique, then you can sort of break it up.

  • Play some single notes mixed in with tremolo notes.
  • If you notice, the kickoff to this is all down strokes.
  • We're leading up to this note; this is a really common bluegrass kickoff.

Any song that starts on the fifth of the chord is just kind of a standard thing. Not that you want to play that all the time, but it's good to know.

So, anyhow, single notes there, then into tremolo. But then you can kind of intersperse tremolo with some single notes.

Practical Exercise

I'm not quite sure where I'm going to do this, but let me play it, and we'll see how it comes out.

So you get the idea by single notes. That's what I mean. You're breaking up the tremolo.

One of the hard things about that is interspersing those notes with the tremolo notes. It's hard to sort of keep the timing together, and so it's just something to work on.

You might work with a metronome, too. That can be really helpful in developing your sense of timing and also improving your ability to listen if you're really tuning in on the clicks of the metronome.

About the instructor

Tom Bekeny
Tom Bekeny

Tom Bekeny ist Mandolinist, Fiddler und erfahrener Mandolinenlehrer, der seit über 40 Jahren in den USA und im Ausland aufgetreten ist und unterrichtet hat - wenn er also aufschlüsselt, wie man spielt, lernst du von jemandem, der ein ganzes Leben sowohl auf der Bühne als auch im Unterrichtsraum verbracht hat. Er war Mandolinist in Bands der San Francisco Bay Area wie Done Gone, Tenbrooks und einer frühen Version der Grant Street String Band mit Laurie Lewis. Er trat mit Peter Rowan, den Rowan Brothers, David Grisman, George Cole, der Sängerin Lua Hadar und Jerry Garcia auf. Tom spielte fast 20 Jahre lang Mandoline in der hochgelobten Kathy Kallick Band und hat seit 1988 den Fiddle-Platz in High Country inne, Kaliforniens führender traditioneller Bluegrass-Band. Er hat mit vielen dieser Gruppen aufgenommen und wurde in der Sommerausgabe 2009 des Mandolin Magazine vorgestellt. Tom spielt außerdem in der überaus beliebten traditionellen Bluegrass-"Jam"-Band Bangers and Grass, an der Seite von Bluegrass-Größen der Westküste wie Jim Nunally, Steve Pottier, Bill Evans und Chad Manning. Über den Bluegrass hinaus spielt Tom Jazz-Mandoline mit seinem Trio The Missing Man Quartet (MM4), das geradlinigen Jazz mit originellen Arrangements spielt, die ihr Material aus der Welt des Jazz und den Standards des Great American Songbook schöpfen. 2013 veröffentlichte er ein Solo-CD-Projekt ("Jazzolin"), auf dem er Mandoline und Fiddle spielt, begleitet von Schlagzeug und Bass. read more

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20 lessons (1h 18m)
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