Lesson 11 of 15DrumsBeginner

BONUS: Fills using the Double Stroke Roll

4:14
More fills using the double stroke roll and how to make those fills a bit more interesting
Part of the courseMy First Drum Lesson15 lessons (1h 43m)

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Harry PopeYour guruHarry Pope

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15 lessons (1h 43m) · 3 free
    • 01. BONUS: Setting up the drum kit

      Free lesson

      2:36

    • 02. Meet Harry

      Free lesson

      2:01

    • 03. Getting Familiar With Your Kit

      Free lesson

      13:15

    • 04. Stick and Foot Technique

      10:18

    • 05. The Basic Beat

      7:26

    • 06. Crotchets and Quavers

      6:05

    • 07. Varying the Beat

      8:06

    • 08. Rudiment #1 - Single Stroke Roll

      9:39

    • 09. BONUS: Fills using the single stroke roll

      5:06

    • 10. Rudiment #2 - Double Stroke Roll

      7:11

    • 11. BONUS: Fills using the Double Stroke Roll

      You are here

      4:14

    • 12. Rudiment #3 - Paradiddles

      5:53

    • 13. Grooving With Paradiddles

      7:03

    • 14. Adding Semi-Quavers and Ornaments

      7:28

    • 15. Adding the Ride Cymbal and Open Hi-Hat

      7:08

Lesson transcript

Music Lesson: Using the Double Stroke Roll as a Fill

Hello, welcome back!

In the last video, we learned the double stroke roll. Today, I'll show you a couple of ways to use it as a fill, which can sound a bit more interesting than just the plain old technique.

Utilizing the Toms

We've got these toms here, so we may as well use them! Here's what we're going to do:

  • Beat One: This will remain exactly the same.
  • Beat Two:
    • Move your right hand to the floor tom and play 2e.
    • Then move your left hand to the rack tom and play and A.

This will sound like:

One E and A. Two E and R.

Beats One and Two

  • Beat One: Exactly the same.
  • Beat Two: Move the right hand to the floor tom.
  • Then move the left hand to the rack tom for.

So, beats one and two will sound like:

(Beat One) ... (Beat Two) ...

Beats Three and Four

  • Beats three and four will be exactly the same as beats one and two:

Three E and A. Four E and A.

Putting It Together

So now we have:

  • Beats One and Two
  • Repeated for Beats Three and Four.

That's your fill!

Practicing the Fill

Let's try it with our quaver. Beat number one will go like this:

  • If you feel like putting a crash cymbal after the fill to get back into the beat, feel free, it sounds great!

Important Tips

  • I cannot emphasize how important it is to stay relaxed while doing this.
  • Practice it slowly, almost painfully so.
  • There's absolutely nothing wrong with playing something slowly and actually getting it right.
  • Once you've played it slowly, you can start to speed it up.

And then, you know, you might hit a point where you can't play any faster. That's good! This means you've got something to practice.

Final Demonstration

Let's use that as a fill one more time. Crash it after the fill, and we'll come back with a beat to do the whole thing again.

I'll demonstrate it for you once, and then you can practice it yourself.

Thank you very much for watching, and I will see you in the next video, hopefully soon!

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Harry Pope

Harry Pope

Harry Pope is a London drummer and a graduate of the jazz programme at Trinity College of Music. He has played with Brit Award winner Eddi Reader, guitarist Jim Mullen, Graeme Duffin of Wet Wet Wet, and the Royal Scottish National Orchestra Big Band. His beginner course starts from the kit up - posture, grip, timekeeping and your first grooves - at a pace that suits anyone picking up sticks for the first time.

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