Structure & Tempo

Annabel Thwaite
Annabel Thwaite

Lesson time: (2min 38sec)

Annabel Thwaite places Für Elise in its Classical-era context and explains how the style's unified tempo should shape the way you approach the piece.

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This lesson is part of the course Learn Classical Favourites on Piano
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Lesson transcript:

Understanding Classical Idioms through Furules

Furules is a great piece for understanding classical idiom, specifically in the classical era. We are focusing on 18th-century music, which encompasses composers such as:

  • Mozart
  • Haydn
  • Beethoven
  • Schubert

The Importance of Beethoven

Beethoven is particularly important because he was present during the development of the piano.

  • His early sonatas used only a limited range of the keyboard.
  • As the piano evolved, he began using the instrument in a much more emphatic and developed fashion.

Characteristics of 18th Century Classical Music

In terms of classical features, we look at several key elements:

  • Melody and Accompaniment:

    • There is often a beautiful melody in the right hand, though it may sometimes appear in the left hand.
    • An accompaniment supports this beautiful line.
  • Dynamics:

    • The dynamics are contrastive, with clear distinctions between soft (pp or piano) and loud (forte) passages.
    • The dynamics often feel very black and white, rather than involving excessive swells.
  • Rhythmic Precision:

    • Rhythmic accuracy is vital.
  • Unified Tempo:

    • This is one of the most important aspects.
    • It's essential to negotiate a suitable tempo that encompasses the difficult sections, particularly the second page and the triplets at the bottom of the third page.

Navigating Tempo

If we accelerate too quickly at the beginning, we may struggle with bar 33.

  • Remember, 4 demisemiquavers equal 1 quaver.
  • In a 3/8 meter (3 quavers per bar), we want to match up our counts.

Suggested Practice Approach

I suggest starting at:

  • Bar 33:
    • Think about how fast and relaxed you can play those demisemiquavers.
    • Consider counting: "1, 2, 3."

Alternatively, you could begin at:

  • Bar 79:
    • Count: "1, 2, 3."

Once you feel comfortable, you may decide to increase the tempo slightly or play a bit slower, it's up to you!

About the instructor

Annabel Thwaite
Annabel Thwaite

Recognised as one of Britain's most versatile and charismatic pianists, Annabel Thwaite enjoys a diverse career as a soloist, chamber musician, recording artist, educator and examiner, and has won all the major accompanying prizes, including the prestigious Kathleen Ferrier, Gold Medal, and Richard Tauber Piano Prizes. She has collaborated with renowned artists such as Roberto Alagna, Bryn Terfel, David Kempster and "Only Men Aloud!" Annabel has recorded for Universal records with the "Scottish Tenor", whose album was nominated for a Classical Brit Award and is regularly played on Classic FM. Twice the accompanist for the Festival of Welsh Male choirs, her performances at the Royal Albert Hall were recorded by Sain and have been aired on S4C. She is also a film session pianist, having recorded at Abbey Road the music for the film "Awake", the BBC Jane Austen series "Emma", "The Secret Diaries of Miss Anne Lister" and, most recently, she has appeared on both Blue Peter and "The Rob Brydon Show". "...no doubt helped by the obviously brilliant piano accompaniments from Annabel Thwaite...highly enjoyable." In her MusicGurus courses - Learn Christmas Classics on Piano, Learn Classical Favourites on Piano, and Growing Chamber Groups and Small Ensembles - Annabel shares the musicianship behind that versatile career. You will learn how to bring well-loved Christmas and classical pieces to life at the piano, develop your touch and phrasing, and, drawing on her award-winning experience as an accompanist, discover how to listen, lead and play together when making music with other musicians in chamber groups and small ensembles. read more

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21 lessons (1h 0m)
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