Composition in Logic: The Editing Process

Name: Composition in Logic: The Editing Process
Price: 13.00 USD
Availability: InStock

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Dov Waterman

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$13/month

Unlocks this course + 5,000+ other lessons across every instrument.

Subscribe to Watch

Cancel anytime30-day refund

Duration56m

Modules9

LevelIntermediate

LanguageEnglish

Lesson Plan (0h 56m)

About this course

Volume 5 of Dov Waterman's series - the editing phase. With ideas captured, this course is about shaping them into a finished arrangement. You'll comp vocal and guitar takes in Logic Pro, use Flex Time for timing corrections, then move into the creative use of compression, stereo delay, EQ and reverb (not as mixing tools but as composition tools). Track-building techniques per genre, working with raw material, developing ideas, and arranging a finished track. End-of-section assignment: creative editing on your own material.

Continue with Volume 6 (Mixing, Finalising & Bouncing) to complete the series.

Who it's for

Composers who completed Volume 4 (The Writing Process)
Producers ready to develop sketches into arrangements
Songwriters comping their own vocal takes

What you'll learn

Comp multiple takes into a clean final performance
Use compression, EQ and reverb as creative tools
Develop sketches into a finished arrangement

What you'll need

Logic Pro on a Mac
Material to edit — your own recordings or pre-recorded takes
A few focused sessions to work through real material

Explore the series · Composition & Creativity in Logic Pro

01
Composition in Logic: Workflow & Templates
02
Composition in Logic: Synthesis & Beat Programming
03
Composition in Logic: MIDI Effects, Smart Controls & Automation
04
Composition in Logic: The Writing Process
05
Composition in Logic: The Editing Process
You are here
06
Composition in Logic: Mixing, Finalising & Bouncing

Meet the Guru

Dov Waterman

Dov Waterman is a composer, pianist and producer. He has written and designed sound for films including After Earth, Terminator Genisys, Transformers: The Last Knight and The Snowman, and works as a sample-library audio editor and sound designer with companies such as Native Instruments and SonoKinetic.

His Composition in Logic series walks through building a track end to end in Logic Pro - from templates and workflow to synthesis and beat programming, MIDI effects, editing and the final mix - for producers who want to turn their ideas into finished records.

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Published with

Tileyard Education

Tileyard Education sits inside Tileyard, the world's largest professional music community at London's Kings Cross. Alongside 200+ resident music businesses and 160 private recording studios, it delivers postgraduate, short-course and bespoke programmes in music production, songwriting and music business — taught by working industry practitioners.

View the Partner page