Lesson 2 of 33Other Stringed InstrumentsBeginner

hand position

3:12
Avram lets you know how to place your hands on the instrument. He explains the common mistakes people make with hand position, and he then gets you playing some single notes.
Part of the courseBeginning Banjo with Avram Siegel33 lessons (1h 35m)

This lesson is part of the full course. 1 lesson is free to watch.

from$13/month

Explore the course
Cancel anytime30-day refund
Avram SiegelYour guruAvram Siegel

What's in the course

33 lessons (1h 35m) · 1 free
    • 01. Introducing the five string banjo

      1:21

    • 02. hand position

      You are here

      3:12

    • 03. tuning

      2:16

    • 04. introducing scales

      1:10

    • 05. Right hand patterns

      3:10

    • 06. Basic Chords

      1:42

    • 07. Your first song

      Free lesson

      2:09

Lesson transcript

Right Hand Positioning for Banjo Playing

The first thing we'll talk about is just how to hold your right hand.

  • It should sit about like this:
    • Not too far down
    • Not dropped too far
    • Not reaching up too high

People usually get in trouble by setting their hands so they can see their picks. This goes for both hands.

"Your hand should have just about an angle like this to it."

I think of having the strings in my hands, and your hand should have a nice round shape to it.

  • Then just bring it around and open it up.
  • The best way to place your hand is to have these two fingers resting on the head.

All the legends of the five-string banjo play that way, and it seems to work the best.

Common Hand Position Issues

What happens with most people is:

  • As soon as they open their hand up and start placing their fingers on the strings, the first thing that happens is:
    • Their thumb jumps up
    • Their hand flattens out

At first, you just need to do what you can to play the strings. Hit the right string.

But later, you want to try and get your hand into this round shape.

"It's not something that you'll be able to do right off the bat, but it's something to keep in mind."

So, that's a little bit about the right hand. Place it pretty close to the bridge, not too far up here for just basic playing.

Sometimes you might want to play up here to get certain effects and nice sounds up the neck.

Bridge Positioning Tips

By and large, we want our hand down by the bridge, but don't grab onto the bridge. That's something to watch out for.

Practicing Single Notes

Let's just try playing some single notes with our thumb.

  • The thumb will be playing on:
    • The fifth string
    • The fourth string
    • The third string (the index)
    • Even on the second string, the thumb can play anything.

That's basically the deal.

The index will be playing mostly on the second string and the third string.

  • The fingers strike the strings in an upward motion.
  • The thumb strikes the strings in a downward motion.

This is all pretty rudimentary for people who have already played some on the banjo, as is a lot of things we'll be talking about here.

But it's good to think about it anyway, and you might find some new information.

Left Hand Positioning

With the left hand, you're going to place your fingers just behind the fret, really close to the fret without placing your fingers at all.

  • You get the open strings, but by placing your fingers, you get an extra note.

That's basically how a stringed instrument works in general.

$13/monthSubscription

33 lessons

1h 35m of structured video lessons

Advanced video features

Slow down, loop a passage, follow along

Mobile, tablet & desktop

Practise wherever you are

100% satisfaction guarantee

30-day money-back guarantee

Meet your guru

Avram Siegel

Avram Siegel

Avram Siegel is a banjo player and a mainstay of the California bluegrass scene. He has played with the Kathy Kallick Band and True Blue, among many others, and has taught for decades - his step-by-step method has turned out some of the state's most respected young players. In his courses he breaks down three-finger Scruggs rolls, backup and melodic playing so you can build clean timing and tone at your own pace.

Avram Siegel
Pat Levett
Joe Glossop
Frank Doll
Katie Melua
Ed O'Brien
Imogen Heap
Adam Mishan
Chet Atkins

Learn from Avram Siegel and hundreds of others

Unlimited access, money back guaranteed

$13/month

Subscription