Lesson 13 of 33Other Stringed InstrumentsBeginner

Hammer on

1:51

Avram Siegel teaches the hammer-on - pluck a string, then hammer a finger down for the next note - and how to work it into the banjo gallop.

Part of the courseBeginning Banjo with Avram Siegel33 lessons (1h 35m)

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Avram SiegelYour guruAvram Siegel

What's in the course

33 lessons (1h 35m) · 1 free
    • 01. Left hand techniques - the slide

      6:54

    • 02. Hammer on

      You are here

      1:51

    • 03. Putting all together with Cripple Creek

      3:26

Lesson transcript

Left Hand Techniques: Hammer-On and Gallop

Now we're going to learn another technique with the left hand: the hammer-on.

Understanding the Hammer-On

  • Pluck the string and then hammer your finger down on another fret of the same string.
  • You can:
    • Pluck the string open and then hammer any fret you want.
    • Pluck the string with a finger placed and add a new finger.

Example:

  • I'm plucking, and then it's just my left hand hammering the next note.

Combining Techniques

We're going to try adding the hammer into the gallop in the same way that we added the slide.

  • How to Do It:
    • Hammer as we pluck the next note.
    • Practice the hammer alone, then add that string, incorporating the rhythm pattern that's in the gallop.

Recap of Techniques

So far, we have:

  • Slide with the gallop
  • Hammer with the gallop

Common Challenges

You've probably heard the sound of a hammer-on or slide, or any other left-hand note where it's not placed at the same time as the next string.

  • This does happen. But initially, if you try doing that, you're going to find that you're stopping your right hand to play your left hand, and that's going to throw the rhythm off.

Key Takeaway

You have to learn to do both things together. Then you can start adjusting your timing.

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Avram Siegel

Avram Siegel

Avram Siegel is a banjo player and a mainstay of the California bluegrass scene. He has played with the Kathy Kallick Band and True Blue, among many others, and has taught for decades - his step-by-step method has turned out some of the state's most respected young players. In his courses he breaks down three-finger Scruggs rolls, backup and melodic playing so you can build clean timing and tone at your own pace.

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