Lesson 18 of 33Other Stringed InstrumentsBeginner

Pull offs + Reverse Roll

1:33

Avram Siegel introduces the banjo pull-off, where your fretting hand sounds the note, then adds a reverse roll to use as a tag at the end of a song.

Part of the courseBeginning Banjo with Avram Siegel33 lessons (1h 35m)

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What's in the course

33 lessons (1h 35m) · 1 free
    • 01. Round the world roll

      1:23

    • 02. Forwards and Backwards Rolls

      2:25

    • 03. Putting rolls into practice - 'Cumberland Gap'

      1:34

    • 04. Pull offs + Reverse Roll

      You are here

      1:33

    • 05. Down the road

      2:44

    • 06. Mastering Forward Rolls

      1:24

    • 07. Fireball Mail

      4:20

    • 08. Experimenting with Rolls

      1:00

Lesson transcript

Left Hand Technique: The Pull Off

Now we're going to learn another left hand technique: the pull off.

What is a Pull Off?

  • It is in the opposite direction of a slide.
  • It goes from a higher fret, for instance, the third fret.
  • You actually pluck the string with your left hand.

How to Execute a Pull Off

  • Start with your middle finger on the third fret.
  • Pull off to your index finger on the second fret.
  • You can also do this to an open string, and that works as well.

Introducing the Tag Roll

Next, we're going to learn a different roll used as a tag. A tag is something you put on the end of a song.

Reversing Roll Technique

  • This has a reversing roll that goes from forward to backward without a fifth string in between.
  • In our other reverse roll, there was a fifth string before the roll turned around.
  • This one goes forward and backward without the fifth string in between.

Practice the Roll

The roll goes like this:

  • You can practice playing this roll just leading right into itself.
  • Tag licks are often like that because they start and end on the same note.

This is a little something to learn, and we use that in songs.

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Avram Siegel

Avram Siegel

Avram Siegel is a banjo player and a mainstay of the California bluegrass scene. He has played with the Kathy Kallick Band and True Blue, among many others, and has taught for decades - his step-by-step method has turned out some of the state's most respected young players. In his courses he breaks down three-finger Scruggs rolls, backup and melodic playing so you can build clean timing and tone at your own pace.

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