Worried man blues
Lesson time: (6min 1sec)
Avram Siegel enseigne 'Worried Man Blues' au banjo, en commençant par la mélodie simple, puis en superposant des rolls et le rythme Boom-Chick.
Course preview
This lesson is part of the course Le banjo pour débutants avec Avram Siegel
Watch a preview of the full course below.
Lesson transcript:
Worried Man Blues Lesson
So now let's learn our next song. This is called the Worried Man Blues.
Basic Melody
The basic melody goes like this:
There it is.
You notice that as I'm playing the melody, sometimes I hit repeated notes. That happened also in Biolib Cabbage down at the ending.
When we add our rhythm in, we don't necessarily need to hit all of those repeated notes.
Melody Variations
Remember, in song, there may be different numbers of words in a given line from one verse to the next. When we play it on the banjo, we're going to approximate the melody. If we change the number of syllables on a given note, that's okay.
As we go along, though, we do want to think about the melody.
Chorus Arrangement
I'm trying to put this chorus together so that you hear the melody as well as the arrangement it goes with.
So we'll try this. We'll try Weird Man Blues now with the rhythm also. I'll use a little bit of the Boom Chick Boom as well as the Boom Chicka Boom.
You can try playing it both ways separately:
- Play it all the way through with the Boom Chick Boom
- Play it all the way through with the Boom Chicka Boom
- Then mix it up.
Adding Rolls
Now we're going to try playing our song with some rolls in it. The first line goes like this with just the melody.
So here's the Worried Man Blues all the way through with some rolls and gallops.
All right, now we'll try putting everything in there. You notice there will be a pickup on this one, too, leading into the beginning of the song.
So now we'll try it just a little slower.
C Chord Technique
Now something happened coming out of the C chord in there. I want to talk about where I lift up my ring finger right before the end of the C chord to lead into the next measure.
You notice I lift up only my ring finger and then lift up the rest of the other fingers to get a nice solid connection.
Connection Between Measures
Don't stop between the measures.
Don't stop here and then play; it's got to connect, but you lift up the one.
It's a little bit tricky practicing lifting that one finger out of the chord and then the rest. But it's something you'll end up doing so often that it's worth spending the time to practice.
Rhythm Practice
Now we're just going to play the rhythm, just a basic rhythm with pinches to this chord.
So you know how to play backup to the song.
There you have it. It's a good idea to learn how to play just the rhythm and chords to a song.
About the instructor

Avram Siegel est un joueur de banjo et un pilier de la scène bluegrass californienne. Il a joué avec le Kathy Kallick Band et True Blue, entre autres, et enseigne depuis des décennies : sa méthode pas à pas a formé certains des jeunes musiciens les plus respectés de l'État. Dans ses cours, il décompose les rolls à trois doigts façon Scruggs, l'accompagnement et le jeu mélodique pour que tu puisses développer un timing et une sonorité nets à ton propre rythme. read more




