Rolls avant et arrière
Lesson time: (2min 25sec)
Avram Siegel enseigne les rolls avant et arrière, ces motifs à trois doigts qui ne se divisent pas régulièrement dans la mesure mais donnent au banjo son feel roulant classique.
Course preview
This lesson is part of the course Le banjo pour débutants avec Avram Siegel
Watch a preview of the full course below.
Lesson transcript:
Exploring More Rolls on the Banjo
So now let's learn some more rolls. More rolls are really important to the banjo.
Simple Rolls
The rolls we've played so far are what I like to call simple rolls. They fit into a measure, which consists of eight notes:
- 1
- 2
- 4
- 5
- 6
- 7
- 8
Both of those rolls fit right into a measure.
The Forward Roll
One of the most important rolls on the banjo, though, is the forward roll. It doesn't fit evenly in the measure because it's just playing the three notes of your three fingers in a row and then repeating it.
Let's play a forward roll on:
- The fifth string
- The third string
The Backward Roll
The backward roll is the same strings, but we're going to play the same fingers in the opposite direction:
- Instead of thumb 1, 2, thumb 1, 2 (which is a forward roll), the backward roll is 2, 1, thumb, 2, 1, thumb.
Starting on Different Fingers
It doesn't matter what finger you start on.
- We can start on the thumb and still go backward.
- We can start on the middle finger of the first string and go forward.
Exercise for Finger Control
I'm going to give you an exercise to try.
It's really a triplet exercise designed to get your fingers used to and gain control over your rolls.
Instructions for the Exercise
- We're going to play a forward roll.
- Make the first note louder and the second two quieter.
- We will start on each finger.
We can also do this with the backward rolls.
Challenge
The hard part actually isn't to play the loud one louder. It's to play the two quiet ones evenly and equally quiet.
So that's a little something to try!
About the instructor

Avram Siegel est un joueur de banjo et un pilier de la scène bluegrass californienne. Il a joué avec le Kathy Kallick Band et True Blue, entre autres, et enseigne depuis des décennies : sa méthode pas à pas a formé certains des jeunes musiciens les plus respectés de l'État. Dans ses cours, il décompose les rolls à trois doigts façon Scruggs, l'accompagnement et le jeu mélodique pour que tu puisses développer un timing et une sonorité nets à ton propre rythme. read more




