Configurer les pistes et le routage du signal dans Ableton Live
Mark Burnett montre comment il organise les pistes et achemine les signaux audio dans Ableton Live pour faire jouer ensemble ses instruments et contrôleurs externes.
Le contenu du cours
16 leçons (2h 26min) · 2 gratuites
01. Installer le matériel
1:29

02. Présentation des instruments
Leçon gratuite5:44

03. BONUS - Configurer un instrument externe (Korg Volca Beats) dans Ableton en partant de zéro
Leçon gratuite12:51

04. Comprendre le câblage, le MIDI et le routage audio analogique
4:01

05. Configurer les préférences MIDI et audio dans Ableton
10:44

06. Configurer les pistes et le routage du signal dans Ableton Live
Tu es ici6:46

07. Configurer des pistes d'instrument externe dans Ableton Live
8:33

08. Configurer une piste de microphone dans Ableton Live
6:09

09. Configurer les thru-tracks et les loopers
9:08

10. L'arme secrète du set : movers and shakers
8:08

11. Routage de sortie et FX master
13:36

12. Mappage MIDI, racks & macros (partie 1)
14:16

13. Mappage MIDI, Racks et Macros (partie 2)
12:35

14. Piste de delay et temps de delay
3:33

15. Changements de programme et instruments externes
7:11

16. Contenu du set et technique de performance
21:23
Transcription de la leçon
Setting Up Your Devices in Ableton Live
Right. So, assuming that you've managed to connect all your various devices and controllers to Live, and you've set the preferences up so that you're receiving and transmitting information on the right channels, the next step is to get them working within the tracks in Live.
Overview of the Track Setup
Let's take another look at the screen to see where those routing selection options are and how we set it up. I'm using a combination of different approaches depending on the instrument and what I'm trying to achieve from it.
Track Breakdown
Starting from the very top, the first track in my set is labeled Rhythm. This tracks core rhythmical components.
- Rhythm Track Components:
- Kick Drum: Triggered from inside Ableton Live (audio sample).
- Bass Part: Audio from within Ableton Live.
- Rhythm Clips: A bunch of clips labeled "off" and "on" to mute and unmute the rhythm channel.
The purpose of these clips is to automatically deactivate or activate audio at specific moments during my performance. This is necessary because it's the only device running on its own internal sequencer.
Routing and the I/O Panel
To see where all this routing is happening, we need to open up the I/O Panel. Simply click on the small I/O button in the center right of the screen. This opens a window with various dropdown boxes.
- It may look complicated, but the most important thing is recognizing where we are bringing signals from.
Audio Routing
The first two tracks under the rhythm group are just audio from inside Live, which is a straightforward process. Triggering the sounds from the engine comes out of the sound card.
Using the External Instrument Device
For the rhythm track, I've inserted one of Ableton Live's external instrument devices. This allows me to assign where I'm sending some MIDI information and where I'm getting audio back from. With everything set in the preferences, when I trigger sounds on the analog rhythm, the signal comes in, and the audio flows into the mix.
- MIDI Information: I'm sending start/stop messages, which tell the rhythm sequencer when to start and stop.
- Testing the Setup: Upon pressing Play, the engine runs, and audio returns to the track. Stopping it will also stop the sequence.
Exploring the NORD Track
Looking at the NORD track (track two), we see MIDI clips. Here's how it works:
- MIDI Pattern: A sequence of zero notes is played from inside Live, sending MIDI into the NORD to create sound.
- Audio Return: The sound comes back into the computer via the external instrument device.
External Instrument Device Functionality
In the NORD track, the external instrument is key for:
- Sending MIDI information (e.g., to MT4 port 3).
- Receiving audio back into audio channel 3.
As I play notes from inside the set, the audio comes back, confirming the connection.
Similar Setup for Other Devices
I'm using the same external instrument approach for both the Roland 505 and the Volker Beats, sending notes out and receiving audio back in.
By using these techniques, you can effectively manage your devices and ensure a smooth performance workflow in Ableton Live.
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Mark Burnett est un Ableton Certified Trainer qui travaille avec les produits Ableton depuis plus de 14 ans. En tant que producteur et DJ chez Funk'n Deep Records, ses morceaux ont été joués dans de grands festivals ainsi que dans les sets et podcasts d'artistes comme Carl Cox et Richie Hawtin, et il s'est produit devant des foules de plusieurs milliers de personnes. Il organise également des événements de grande envergure comme le Workhouse Project, et a étudié à l'Imperial College London. Son cours porte sur l'utilisation d'Ableton Live pour construire des performances en direct, et convient aux producteurs et interprètes de musique électronique qui souhaitent faire passer leur spectacle du studio à la scène.












