Introduction au cours

Gerard Presencer
Gerard Presencer

Lesson time: (9min 7sec)

Gerard Presencer présente son approche interne de la trompette, en se concentrant sur ce qui se passe à l'intérieur de la bouche pour développer endurance et souplesse sur toute la tessiture.

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This lesson is part of the course Approche intérieure de la trompette
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Lesson transcript:

Developing a Supportive Technical Approach to Playing the Trumpet

To develop a supportive technical approach to playing the trumpet, there are several strategies we can explore. Over the course of the 10 lessons that we're going to have, I will ask you to try a few physical things that focus on the preparation of playing the trumpet rather than the actual playing itself. This will help us create consistency, so that when you go for a high note, you don't have to change how you play externally compared to how you would for a low note.

Consistent Register Approach

  • We will work on creating one register and one approach to playing the trumpet up and down.
  • The only difference between a low note, high note, or medium note will be what's happening inside your mouth.

Robot Arms Concept

A key concept I like to work on with students is the idea of robot arms.

  • What this entails: When you go to play, do it without outside manipulation of your face.
  • This method minimizes unnecessary movement as you prepare to play.
  • When taking the trumpet off your face, keep the same approach, your airstream should be what produces the note, not your embouchure.

1, 2, 3 Placement

We will also discuss the 1, 2, 3 placement:

  1. Put the trumpet on your face.
  2. Take a breath through your nose.
  3. Play the note.

Make sure you do not put your finger down for the note until you are playing it. For example, if I'm going to play a bottom A flat, I would do it as follows, and then off. I will also practice this with a top C.

Focusing on the Bell

Another exercise relates to looking at your bell:

  • This is particularly important when playing staccato exercises.
  • Focusing on the center of your bell keeps the trumpet stable, especially when playing fast staccato passages.

Crescendo on Descent

We will cover how to crescendo when descending an arpeggio:

  • Instead of backing off on the descent, we'll get louder.
  • This practice prepares you to have more control during a descent, reducing the likelihood of crashing down and losing control.

Internal Approach to Trumpet Playing

Throughout these lessons, we will focus on the internal approach to trumpet playing, discussing:

  • The development of strength and control within your mouth.
  • Recognizing that each player has a different embouchure; what's happening inside your mouth is crucial, even if it's not visible.

Air Stream Control

  • The trumpet is functioning best when it acts as a legato airstream machine.
  • Regardless of the music style (e.g., playing short notes in a pop band), maintain a steady stream of air.

The Role of Warm-Up

An important feature of our lessons will be understanding that:

  • Warming up isn't about duration; it's about the quality of what you do.
  • Some warm-up exercises may not sound like music, but they are essential for getting your technique to work effectively.

Focused Warm-Up

  • Be conscious of what you're trying to develop during your warm-up.
  • As a professional, knowing how to warm up efficiently in limited time is crucial.

Enhancing Muscle Control

Finally, developing trumpet approach and technique should not be seen as simply "pumping iron".

  • It's about developing muscle control and strength through control.
  • The more familiar you become with the trumpet and your internal processes, the easier playing will become.

By following this process of development, you will become a more efficient, relaxed version of yourself as a trumpet player. Embrace this journey and enjoy the learning!

About the instructor

Gerard Presencer
Gerard Presencer

Au cours des 25 dernières années, Gerard Presencer s'est forgé une formidable réputation comme l'un des trompettistes les plus respectés de la scène européenne. Il a fait irruption sur la scène internationale à 18 ans, lorsque US3 lui a demandé de jouer la partie solo sur Cantaloupe Island de Blue Note (réinventée en Cantaloop Flip-Fantasia), qui est devenu l'un des disques de jazz les plus vendus des années 1990. Depuis, il s'est produit avec un who's who des artistes de jazz internationaux, et continue de se pousser lui-même et son instrument, sortant de sa zone de confort afin d'évoluer comme instrumentiste et comme compositeur. Dans d'autres genres, Gerard a enregistré comme musicien de studio avec des artistes tels que Sting, Jamiroquai, Zero 7, James Brown, Ray Charles, Joni Mitchell et Jonny Greenwood. Gerard a également été un membre essentiel des différents groupes de jazz de Charlie Watts au cours des 25 dernières années, tournant à travers le monde et publiant plusieurs albums avec ce Stone amoureux du jazz. En tant que pédagogue, Gerard a été responsable des études de jazz à la Royal Academy of Music de Londres de 1999 à 2010, et il est actuellement responsable du département des cuivres au Jazz Institut de Berlin. Dans ce cours, il partage son approche intérieure du jeu de la trompette - les habitudes mentales et physiques qui se cachent derrière une belle sonorité - afin que tu puisses développer la sonorité, le contrôle et la musicalité de l'intérieur. read more

What's included?

12 lessons (1h 49m)
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