Introduction aux effets
Lesson time: (3min 31sec)
Cette unité porte sur l'amplification et l'enrichissement de tes instruments à cordes. Quelque chose d'important quand on joue de la musique groove. Zach explique comment il utilise des effets prévus pour la guitare sur son violon.
Nous serions ravis de voir ce que tu fais avec les effets sur ton instrument à cordes. Publie une vidéo de toi en train de jouer dans le groupe Facebook exclusif de ce cours - Improvise & Groove on Strings
Course preview
This lesson is part of the course Apprends l'improvisation au violon avec Zach Brock & Snarky Puppy
Watch a preview of the full course below.
Lesson transcript:
Exploring Effects with String Instruments
All right, let's have some fun and talk about effects!
You might have noticed that this is just a plain old violin. In fact, it's an old regular violin, but I have a pickup installed in the bridge. This wonderful pickup, made by a guy named Eric Aceto, allows me to play my nice acoustic violin in electric settings.
Types of Electric String Instruments
There are all kinds of electric string instruments you can try:
- Solid body electric instruments
- Instruments with extra strings (I actually have a six-string acoustic electric violin)
- Five-string violins (which I play a lot)
I guess that's a bit out of the purview of this course, but it's always fun to explore!
My Journey with Effects
Talking about effects, I started messing around with them when I had a mandolin at my house. I used a little Barcus Berry contact pickup that went on the mandolin along with a small effects box that I could attach to my belt.
This effects box included:
- Flanger
- Chorus
- Various reverbs
I could also plug in headphones, and I would walk around my backyard, listening to my super spacey mandolin sounds. That experience is what eventually got me into using effects on the violin.
The Progression of Pickups
The first pickup that I used was a very basic, low-quality one. I won't mention the name of the maker, but you probably know this pickup. It's just a little chunk of metal that you wedge into your bridge, and it sounds somewhat like "an electric ham sandwich." It's tough to deal with!
Since then, I've progressed to better and better equipment. I'm really excited about my current setup, which I'm using on the road with Snarky Puppy. This is what I consider my latest creation.
Compact Setup for Traveling Musicians
The board you're looking at has been specifically chosen because it fits in my suitcase, allowing me to avoid checking an additional bag. We all know that there are usually charges for that second bag these days, and I got sick of it!
General Note on Amplifying String Instruments
Before we dive deeper, I want to make a general note about amplifying string instruments.
Many great string players transition from sounding good with acoustic instruments to producing less desirable sounds when they start using electronics. Just because you're a skilled violinist, cellist, or violist doesn't mean you will automatically sound good with amplification.
It's essential to understand that using effects is like playing a parallel instrument. There are certainly things I wish I had known early on, which would have saved me a lot of money and spared other people from hearing some unpleasant sounds!
About the instructor

Salué comme « le violoniste improvisateur prééminent de sa génération », Zach Brock est un violoniste et compositeur dont la musique puise dans les traditions du jazz, de la musique classique, des musiques du monde et de la musique populaire. Zach a reçu son premier Grammy Award en 2017 pour son travail sur l'album Culcha Vulcha de Snarky Puppy. Sa reconnaissance en tant que leader s'est accrue grâce à des concerts dans des salles comme le Carnegie Hall et des festivals tels que « Tudo e Jazz » au Brésil, tandis que sa réputation de sideman s'est répandue à travers ses collaborations avec le légendaire bassiste Stanley Clarke, le super-groupe instrumental contemporain Snarky Puppy et les maîtres du jazz Phil Markowitz et Dave Liebman. Zach a réalisé dix enregistrements en tant que leader ou co-leader et est le premier violoniste à enregistrer pour le vénérable label de jazz néerlandais Criss Cross. Il a également représenté le Département d'État américain en tant qu'ambassadeur musical aux îles Salomon, s'est produit comme soliste invité pour les bandes originales de deux longs métrages du Festival de Sundance et est actuellement artiste en résidence à la Temple University de Philadelphie. Dans son cours, tu apprendras à improviser au violon directement à la source : comment Zach aborde la mélodie, le rythme et l'harmonie, et comment commencer à trouver ta propre voix comme il l'a fait aux côtés de Snarky Puppy et au-delà. read more




