Ballades - Introduction
Lesson time: (1min 17sec)
Course preview
This lesson is part of the course Explorer le saxophone jazz : Partie 2 - Solos sur des chansons et des séquences d'accords
Watch a preview of the full course below.
Lesson transcript:
Exploring the Ballad in Jazz
So I'd now like to play with you a ballad, which is an area of jazz that we haven't yet talked about.
The Essence of a Ballad
The ballad is a real treat for a saxophone player. Here's what makes it special:
- Slow, Beautiful Songs: You have the opportunity to explore the expressive side of the instrument and of your personality.
- Structure and Harmony: While the structures and harmonies of the songs are the same, it's a chance to play at a slow tempo.
- Evoking Emotion: You can really try to evoke whatever mood and character you're after.
Masters of the Ballad
All the great saxophonists were fabulous ballad players as well. If you listen to:
- Coltrane
- Parker
- Sonny Rollins
You'll find that much as they could absolutely blaze through the fast tempos, they could really touch your soul with their ballad playing.
"Sleepless Eyes"
I've written this tune, Sleepless Eyes, which is inspired by You Don't Know What Love Is, a very famous, very sad minor ballad tune.
Structure of the Tune
- Familiar Framework: It has a very familiar structure, AABA, based around D minor.
- Bridge: There's a big lift in the bridge to the relative major, giving you a sense of optimism amidst the sadness of the song.
Solo Expectations
Traditionally, in ballads, you wouldn't take 2, 3, or 4 chorus solos. Because of the tempos, the tunes take much longer.
- Format: So there's just one chorus of solo here, one head in, one head out.
About the instructor

Depuis l'obtention de son diplôme au Leeds College of Music (BA Hons) et à la Guildhall School of Music (Post Graduate Diploma in Performance), Ollie a bâti une carrière riche et variée dans la musique. En tant que saxophoniste, il s'est produit en concert et en studio avec des artistes aussi divers qu'Amy Winehouse, Tim Minchin, Bonobo, Frank Turner, le London Jazz Orchestra, le Hackney Colliery Band, l'Ambient Jazz Ensemble et le Nelson Riddle Orchestra. Il est également coleader du quartet de jazz 'Time Is Of The Essence', et compose et arrange du matériel pour cette formation et d'autres ensembles. Ollie est actif dans l'éducation musicale, actuellement comme responsable de cours du département jazz de la Guildhall School of Music and Drama (école junior), où il dirige des ensembles de jazz, un big band et des cours de théorie. Il a écrit une série de livres 'Exploring Jazz' pour Schott Music, publiés dans le monde entier et inscrits aux programmes d'examen au Royaume-Uni. Ollie a également animé des ateliers pour l'Oxford University, Pro Corda Strings et BABSWE, ainsi que pour les écoles d'été de la Guildhall School of Music. Dans ses cours Exploring Jazz Saxophone, Ollie te mène des tout premiers pas jusqu'à improviser en toute confiance sur des morceaux et des grilles d'accords, en développant les compétences d'improvisation qui mettent le vocabulaire d'un véritable jazzman à portée de tes doigts. read more




