Les accords les plus courants

Tom Bekeny
Tom Bekeny

Lesson time: (5min 41sec)

Tu peux jouer une grande partie du répertoire bluegrass avec seulement trois accords ; Tom présente une forme d'accord majeur, et tu peux te référer à la tablature pour en savoir plus.

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This lesson is part of the course La mandoline pour débutants avec Tom Bekeny
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Lesson transcript:

Understanding Chords for Bluegrass

The next thing I want to talk to you about is chords. Chords are really important to know when playing in a bluegrass band.

When you're not playing a solo or a lead, and when you're not playing countermelodies or what's called backup behind a vocalist, you'll be chopping chords and helping to keep time for the band. You'll actually be playing chords more than you're doing anything else in a band context.

Chord Basics

I won't get too much into the theory of how chords are constructed, but here's the short version:

  • A chord (specifically, a major chord) is three notes sounded together, forming a major triad.
  • Additionally, a minor triad is built on top of the major triad.

In a lot of bluegrass music, early country, and folk music, you can play many songs just by knowing three chords. Let's focus on the key of A and the three basic chords:

  1. A major
  2. D
  3. E

I'll have chord diagrams available on the website.

You can often play what's called an E dominant seventh, which looks like this:

  • Start with an E chord (E note of the E chord).
  • Take that down two frets (or a whole step) to get the flatted seventh.

This creates the tension that wants to resolve back to A.

Basic Bluegrass Chop

Now, let's get into more detail about how to make this chord. The chord I'm going to show you is the basic bluegrass chop, which produces a very percussive sound. In a bluegrass band, you'll be the closest thing they have to a drum, especially in a traditional context.

A Chord

To play an A chord:

  • Middle finger: Place it on the fifth fret of the E string (A note).
  • Index finger: Put it on the fourth fret of the A string.
  • Ring finger: Goes to the seventh fret of the D string.
  • Pinky: Reach all the way down to the ninth fret on the G string.

This combination creates the shape for the basic bluegrass major chord (A chord). It may be quite a stretch for you when you're learning it, but if you stick with it, you'll get the hang of it. Initially, you might feel some fatigue, but it will become easier over time.

D Chord

Now, to get the D chord, follow this process:

  • Move everything up in the same relationship.
  • Take the current shape off and retain the three fingers in the same formation.

For the D chord:

  • Middle finger: On the fifth fret of the A string.
  • Index finger: On the fourth fret of the D string.
  • Ring finger: On the seventh fret of the G string.

E Chord

To form your E chord:

  • Simply move your D shape up two frets.

So now you have:

  • D
  • E

By following these steps, you'll be well on your way to playing chords in a bluegrass band!

About the instructor

Tom Bekeny
Tom Bekeny

Tom Bekeny est mandoliniste, violoneux (fiddle) et professeur de mandoline chevronné, qui s'est produit et a enseigné aux États-Unis et à l'étranger pendant plus de 40 ans - alors quand il décompose la façon de jouer, tu apprends de quelqu'un qui a passé toute une vie aussi bien sur scène que dans la salle de cours. Il a été le mandoliniste de groupes de la région de la baie de San Francisco tels que Done Gone, Tenbrooks et une première version du Grant Street String Band avec Laurie Lewis. Il s'est produit avec Peter Rowan, les Rowan Brothers, David Grisman, George Cole, la chanteuse Lua Hadar et Jerry Garcia. Tom a joué de la mandoline avec le très acclamé Kathy Kallick Band pendant près de 20 ans et occupe le poste de fiddle au sein de High Country, le meilleur groupe de bluegrass traditionnel de Californie, depuis 1988. Il a enregistré avec beaucoup de ces formations et a été mis à l'honneur dans le numéro de l'été 2009 de Mandolin Magazine. Tom joue aussi dans le très populaire groupe de "jam" bluegrass traditionnel Bangers and Grass, aux côtés de sommités du bluegrass de la côte ouest comme Jim Nunally, Steve Pottier, Bill Evans et Chad Manning. Au-delà du bluegrass, Tom joue de la mandoline jazz avec son trio The Missing Man Quartet (MM4), qui interprète un jazz direct avec des arrangements originaux puisant leur matière dans l'univers du jazz et les standards du Great American Songbook. Il a sorti un projet de CD solo ("Jazzolin") en 2013, sur lequel il joue de la mandoline et du fiddle, accompagné de batterie et de basse. read more

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20 lessons (1h 18m)
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