Les techniques en pratique : Dark Hollow

Tom Bekeny
Tom Bekeny

Lesson time: (4min 31sec)

Tom Bekeny joue le standard bluegrass 'Dark Hollow' en Do majeur à la mandoline, en montrant comment le trémolo et les slides donnent vie à la mélodie.

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This lesson is part of the course La mandoline pour débutants avec Tom Bekeny
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Lesson transcript:

Music Lesson: Dark Hollow

So let me play you a song called Dark Hollow. It's in the key of C major. This is another standard like the other songs I've been showing you. They're all songs and tunes you're really likely to encounter in a jam session.

I won't sing it, but I'll just play a real basic version of the melody using tremolo technique.

Basic Version

Okay, so that's the basic version of Dark Hollow using tremolo.

If you listen to it and look at the tab, you'll notice that there were a lot of places where I was sliding into notes.

  • There's an instance of a flatted fifth to a fifth.
  • That G note is the fifth of a chord.
  • Slide there.
  • There's a slide here. Slide, slide.

Ending Technique

Let me just correct that.

  • You can slide down, and that's the way I've written it in the tablature.
  • That slide there, if I slow it down, it kind of loses the effect. But really, just sliding down to that flatted fifth again and then picking up that note with my index finger in the second fret.

Variations

Another variation, rather than going open D, you can slide up and catch that D up here in a closed position. And that might sound better to you; just a slight variation.

Breaking Up Tremolo

The other thing about tremolo is that once you get comfortable just with the technique, then you can sort of break it up.

  • Play some single notes mixed in with tremolo notes.
  • If you notice, the kickoff to this is all down strokes.
  • We're leading up to this note; this is a really common bluegrass kickoff.

Any song that starts on the fifth of the chord is just kind of a standard thing. Not that you want to play that all the time, but it's good to know.

So, anyhow, single notes there, then into tremolo. But then you can kind of intersperse tremolo with some single notes.

Practical Exercise

I'm not quite sure where I'm going to do this, but let me play it, and we'll see how it comes out.

So you get the idea by single notes. That's what I mean. You're breaking up the tremolo.

One of the hard things about that is interspersing those notes with the tremolo notes. It's hard to sort of keep the timing together, and so it's just something to work on.

You might work with a metronome, too. That can be really helpful in developing your sense of timing and also improving your ability to listen if you're really tuning in on the clicks of the metronome.

About the instructor

Tom Bekeny
Tom Bekeny

Tom Bekeny est mandoliniste, violoneux (fiddle) et professeur de mandoline chevronné, qui s'est produit et a enseigné aux États-Unis et à l'étranger pendant plus de 40 ans - alors quand il décompose la façon de jouer, tu apprends de quelqu'un qui a passé toute une vie aussi bien sur scène que dans la salle de cours. Il a été le mandoliniste de groupes de la région de la baie de San Francisco tels que Done Gone, Tenbrooks et une première version du Grant Street String Band avec Laurie Lewis. Il s'est produit avec Peter Rowan, les Rowan Brothers, David Grisman, George Cole, la chanteuse Lua Hadar et Jerry Garcia. Tom a joué de la mandoline avec le très acclamé Kathy Kallick Band pendant près de 20 ans et occupe le poste de fiddle au sein de High Country, le meilleur groupe de bluegrass traditionnel de Californie, depuis 1988. Il a enregistré avec beaucoup de ces formations et a été mis à l'honneur dans le numéro de l'été 2009 de Mandolin Magazine. Tom joue aussi dans le très populaire groupe de "jam" bluegrass traditionnel Bangers and Grass, aux côtés de sommités du bluegrass de la côte ouest comme Jim Nunally, Steve Pottier, Bill Evans et Chad Manning. Au-delà du bluegrass, Tom joue de la mandoline jazz avec son trio The Missing Man Quartet (MM4), qui interprète un jazz direct avec des arrangements originaux puisant leur matière dans l'univers du jazz et les standards du Great American Songbook. Il a sorti un projet de CD solo ("Jazzolin") en 2013, sur lequel il joue de la mandoline et du fiddle, accompagné de batterie et de basse. read more

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