Acordes: tríadas y séptimas
Darius Brubeck explica cómo se construyen las tríadas y los acordes de séptima, usando ‘Summer Song’, el tema de sus padres en fa mayor, para darle vida.
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11 lecciones (1h 50m) · 1 gratisTranscripción de la lección
Music Lesson: Understanding Chords in F Major
In this lesson, I'll be using a song that my parents, Dave and Iola Brubeck, wrote together called Summer Song. This song will illustrate some of the concepts we'll be discussing throughout the course.
Key Signature
- Key: F major (1 flat)
I chose this particular song not only because I like it, but also because it is very diatonic. It primarily uses notes from the F major scale.
Harmony and Melody
As we move through this piece, you may find it surprising how many ways the melody can be harmonized while maintaining the integrity of the scale.
Chords Built on Scale Degrees
Starting from scales, we can derive chords built on each degree of the scale. For visual clarity, I will switch back to the key of C to demonstrate all of the triads.
- Notation: These chords will be denoted as Roman numerals, which refer to scale degrees and, later on, chord functions.
Triads:
- 1: Tonic chord (I) - 1, 3, 5
- When I say 1, 3, 5, I'm referring to intervals.
For example:
- If my thumb's on F:
- F is 1
- A is 3
- C is 5
This describes the distance between the root and the top note of the chord.
Four Note Chords
To further enrich our harmony, we can make four-note chords:
- 1, 3, 5, 7
By adding an additional interval, we step into the realm of richer contemporary harmony.
Different Qualities of Chords
- I (1): Major seventh
- II (2): Minor seventh (minor triad + flat seventh)
- III (3): Minor seventh
- IV (4): Major seventh
You'll notice that the sounds of these chords are quite similar.
The V Chord
The V chord is distinct:
- It has an interval that is referred to as an augmented fourth or diminished fifth.
The important thing about the V chord is its strong tendency to resolve. Historically, it was referred to in medieval times as the diabolus in musica, or the devil's interval, due to its inherent instability.
Additional Chords
- VI (6): Minor seventh
- VII (7): Diminished fifth and sometimes called a half-diminished chord (minor 7 flat 5).
Lastly, the augmented chord is the only one I've left out. In the major scale, the fifth is extended by a half step.
Summary of Chords in Major Scale
- Primary Triads (I, IV, V):
- I and IV are major.
- V has a flat seventh, referred to as a dominant seventh. This chord has a unique function.
Final Thoughts
This concludes our discussion on chords, scales, and keys. Don't be fooled; we will soon delve into much more advanced harmony. However, mastering these foundational concepts is essential.
Challenge
I encourage you to challenge yourself by playing all of the seventh chords based on scale tones across 12 keys on a keyboard. You may find it quite difficult, but it's a worthwhile exercise that will help you gain mastery over how chords function in every key.
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Darius Brubeck es un reconocido pianista de jazz y pedagogo. Ha publicado numerosos álbumes como líder, ha girado por todo el mundo con sus propias formaciones y ha colaborado con sus hermanos en Brubecks Play Brubeck.
Darius ha sido profesor visitante Fulbright en Rumanía y Turquía. Puso en marcha el primer título en jazz ofrecido por una universidad africana, en la University of KwaZulu-Natal de Sudáfrica, donde enseñó hasta 2005.
Darius colabora a menudo con Mike Rossi, saxofonista y profesor de música en la University of Cape Town. Entre los logros de Mike se cuentan numerosas grabaciones y apariciones en escenarios internacionales como líder, solista y acompañante junto a Tony Bennett, Dave Liebman, Winston Mankunku Ngozi, George Russell, Clark Terry y Alessio Menconi, entre otros.
Con Darius como guía, irás directo a lo esencial. En Harmony 101 desmitifica la armonía del jazz para que puedas empezar a aplicarla rápidamente, y en Mastering Odd Times desglosa cómo tocar e improvisar con confianza en compases irregulares.























