Lección 3 de 20Otros instrumentos de cuerdaBeginner

Afinar tu mandolina

5:17
Tom habla de cómo se afina una mandolina y te anima a intentar aprender a afinar tu instrumento de oído.
Parte del cursoMandolina para principiantes con Tom Bekeny20 lecciones (1h 18m)

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Tom BekenyTu gurúTom Bekeny

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20 lecciones (1h 18m) · 1 gratis
    • 01. Tipos de mandolina y sus partes

      2:38

    • 02. Afinar tu mandolina

      Estás aquí

      5:17

    • 03. Colocación de la mano

      7:14

Transcripción de la lección

Mandolin Tuning Lesson

Okay, so let's really start doing some things with the instrument here.

Getting Started: Tuning the Mandolin

First of all, you have to learn how to tune it. A mandolin is tuned in fifths, just like a violin. The reason it's called "fifths" is:

  • For example, here is a D note.
  • The next note up from it is the A.

If you count up on your fingers: D, E, F, G, A, that's a fifth.

The Note Arrangement

The notes are:

  • G
  • D
  • A
  • E

You'll notice we have pairs of strings that are tuned to unison. So, the two Gs should be identical, the two Ds, two As, and two Es are also tuned in unison.

Developing Your Ear

Learning how to tune is not just about getting the notes right; it's a great opportunity for those of you who haven't played other instruments or music much to develop your ear.

Tuning Methods

There are different ways to tune, but let me explain one that will help you develop your ear, especially in being sensitive to when a note is too high (sharp) or too low (flat).

  1. Get a Reference Note:

    • Say, get a G from a friend who's in tune, or from a piano.
  2. Match the G:

    • Once you have that G matched to your reference note, count up to the seventh fret, fret that note, and match the D.
  3. Adjust Your D String:

    • Adjust your tuning peg to match the D to the G.
    • Once you get the D in tune, fret the D at the seventh fret, hit the A open, and match that note to it.
  4. Tune Your E String:

    • Fret the A string at the seventh fret and match it to the E open.

Using a Tuning Fork

If you don't have a G as a reference note, you can use a tuning fork tuned to 440A.

  • You have to do it backwards:
    • Get your A note in tune with the tuning fork.
    • Go backwards to adjust the D string to match that open A.

Once you get the D adjusted, hit the D open as your target note:

  • Fret the G string at the seventh fret and match it.
  • Lastly, get your E in tune, presumably while keeping your A at pitch. Fret the seventh fret of the A string and hit the E open.

Continuous Improvement

Remember, you'll get better at this the more you do it. Rely on your ear for making slight adjustments and recognizing when a note is a little sharp or a little flat.

Believe it or not, even after playing for over 30 years, I feel like my ear is still improving. With every year, I'm gaining a better idea and a better sense of the subtleties of sharp and flat notes.

Advanced Tuning Techniques

Another way to tune the mandolin is for when your ear has developed further.

  • Harmonic Tuning: You might have heard violins. Once they get a reference note, like a G, they play the two notes together (G and D) while bowing and dragging out the note. This allows you to develop a sense for what a perfect fifth sounds like, enabling you to make adjustments until that interval sounds in tune.

Using a Tuner

Lastly, you can use a tuner.

  • If you rely on it exclusively, you might miss the opportunity to train your ear, but tuners are very helpful.
  • They can exactly tell you when you're sharp or flat.

Even with a tuner, you can use it as an ear training exercise, gradually internalizing the experience of being sharp or flat. However, I would recommend starting with tuning by ear first.

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Tom Bekeny

Tom Bekeny

Tom Bekeny es mandolinista, violinista de fiddle y experimentado profesor de mandolina que ha actuado y enseñado en Estados Unidos y en el extranjero durante más de 40 años, así que cuando desglosa cómo tocar, estás aprendiendo de alguien que ha pasado toda una vida tanto sobre el escenario como en el aula.

Fue el mandolinista de bandas de la zona de la bahía de San Francisco como Done Gone, Tenbrooks y una versión temprana de la Grant Street String Band con Laurie Lewis. Ha aparecido con Peter Rowan, los Rowan Brothers, David Grisman, George Cole, la vocalista Lua Hadar y Jerry Garcia. Tom ha tocado la mandolina con la muy aclamada Kathy Kallick Band durante casi 20 años y ha ocupado el puesto de fiddle en High Country, la banda de bluegrass tradicional por excelencia de California, desde 1988. Ha grabado con muchos de estos grupos y apareció en el número de verano de 2009 de Mandolin Magazine.

Tom también toca en la enormemente popular banda de "jam" de bluegrass tradicional Bangers and Grass, junto a luminarias del bluegrass de la Costa Oeste como Jim Nunally, Steve Pottier, Bill Evans y Chad Manning.

Más allá del bluegrass, Tom toca mandolina de jazz con su trío The Missing Man Quartet (MM4), que interpreta jazz directo con arreglos originales que toman material del mundo del jazz y de los estándares del Great American Songbook. En 2013 publicó un proyecto de CD en solitario ("Jazzolin"), en el que toca la mandolina y el fiddle acompañado de batería y bajo.

Tom Bekeny
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