Hammer-on (ligado ascendente)
Lesson time: (1min 51sec)
Avram Siegel enseña el hammer-on - pulsa una cuerda y luego deja caer un dedo para la siguiente nota - y cómo integrarlo en el galope del banjo.
Course preview
This lesson is part of the course Banjo para principiantes con Avram Siegel
Watch a preview of the full course below.
Lesson transcript:
Left Hand Techniques: Hammer-On and Gallop
Now we're going to learn another technique with the left hand: the hammer-on.
Understanding the Hammer-On
- Pluck the string and then hammer your finger down on another fret of the same string.
- You can:
- Pluck the string open and then hammer any fret you want.
- Pluck the string with a finger placed and add a new finger.
Example:
- I'm plucking, and then it's just my left hand hammering the next note.
Combining Techniques
We're going to try adding the hammer into the gallop in the same way that we added the slide.
- How to Do It:
- Hammer as we pluck the next note.
- Practice the hammer alone, then add that string, incorporating the rhythm pattern that's in the gallop.
Recap of Techniques
So far, we have:
- Slide with the gallop
- Hammer with the gallop
Common Challenges
You've probably heard the sound of a hammer-on or slide, or any other left-hand note where it's not placed at the same time as the next string.
- This does happen. But initially, if you try doing that, you're going to find that you're stopping your right hand to play your left hand, and that's going to throw the rhythm off.
Key Takeaway
You have to learn to do both things together. Then you can start adjusting your timing.
About the instructor

Avram Siegel es banjista y un pilar de la escena del bluegrass de California. Ha tocado con la Kathy Kallick Band y True Blue, entre muchos otros, y ha enseñado durante décadas: su método paso a paso ha formado a algunos de los jóvenes intérpretes más respetados del estado. En sus cursos desglosa los rolls de tres dedos al estilo Scruggs, el acompañamiento y el estilo melódico para que puedas desarrollar un timing y un tono limpios a tu propio ritmo. read more




