Young Thing – Unterricht
Lesson time: (6min 17sec)
Chet Atkins unterrichtet ‘Young Thing’, ein Fingerstyle-Stück, das er für seinen Gitarristenkollegen Bill Young schrieb und das über einem Boogie-Woogie-Bass aufgebaut ist.
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This lesson is part of the course Die Gitarre von Chet Atkins
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Lesson transcript:
Young Thing - A Tribute to Bill Young
That was Young Thing. I wrote that for a finger picker over in North Carolina. His name was Bill Young, and he got the dreaded disease ALS (Lou Gehrig's disease). I played that tune for him before he died, and he loved it.
Inspiration Behind the Title
I called it Young Thing for Bill Young. It's difficult to play. I don't know why I keep writing these things that are too difficult for me to play. But anyway, I just play a boogie woogie bass.
Playing Techniques
- While I'm doing that, I make like a piano player and play C9.
- Once in a while, I do that; I think I leave out a bass note when I do, but it's effective.
Making It Work
This is a little difficult here. Someday, I'll make up another lick that'll be easier, but right now, I don't know what.
Then we go to the bridge, which I like the voicing on.
"I like that."
And then we play with a bass line. It's difficult, but you can do it. If I can do it, anybody can do it. Maybe you can make up some better licks of your own, you know.
Transitioning Licks
After that, I play. I can't play it down here, so I have to adjust. And then we do a little thing like in Pine Tops Boogie to give it a little relief and get out of the blues mode medium for a minute.
- It's a pickup note and one all the time.
- You keep that finger anchored.
A little Jerry Reed there.
Revisiting the Bridge
And then what comes next? Yeah, and then the bridge again.
"Young thing, a young thing."
Then back to the chorus. See how you do that with a little finger? The Jerry Reed thing again.
Concluding Thoughts
And then, let's see, it's an augmented chord. I usually play that fast, like I heard Pat Donahue play a tune like that. And who else? Someone else, Brad Jones. So I made up my own because I liked it.
Then I listened to theirs again, and mine was not like theirs. I was happy about that, so hope you like it!
About the instructor

Bekannt als „Mr. Guitar“, ist Chet Atkins der meistaufgenommene Soloinstrumentalist der Musikgeschichte. Sein unverkennbarer Picking-Stil wurde von Merle Travis inspiriert, weitere große Einflüsse waren Django Reinhardt, George Barnes, Les Paul und später Jerry Reed. Dieser markante Picking-Stil und seine Musikalität brachten ihm Bewunderer innerhalb und weit über die Country-Szene hinaus ein, in den Vereinigten Staaten wie international. Als Studiomusiker veredelte sein Spiel Platten von Elvis Presley, Kitty Wells, The Everly Brothers, Hank Williams und Dutzenden weiterer Nashville-Legenden. Sein Stil beeinflusste später Pop-Größen wie Mark Knopfler, Duane Eddy, George Harrison, The Ventures, George Benson und Eddie Cochran sowie Tausende von Country-Gitarristen. Er gewann neun CMA Awards als Musician of the Year, vier Auszeichnungen der Playboy-Jazz-Umfrage und dreizehn Grammys. Mit über 35 Millionen verkauften Exemplaren seiner mehr als 75 Originalveröffentlichungen war Atkins zudem Träger des Grammy Lifetime Achievement Award. Er half, den Nashville sound zu prägen, einen Stil der Country-Musik, der dem Pop fast ebenso viel verdankte wie den Honky Tonks – und ohne ihn wäre die Country-Musik in den 50er- und 60er-Jahren womöglich nie in die Pop-Charts vorgedrungen. Lerne vom Meister – klicke einfach auf einen der Kurse auf dieser Seite! read more




