When You Wish Upon A Star - Unterricht

Chet Atkins
Chet Atkins

Lesson time: (5min 23sec)

Chet Atkins bringt dir sein Fingerstyle-Arrangement von When You Wish Upon A Star bei, einschließlich der Flageoletts und Pull-offs, die ihm seinen schimmernden Klang geben.

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This lesson is part of the course Die Gitarre von Chet Atkins
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Lesson transcript:

Music Lesson: Harmonics and Arrangements

Of course, that was When You Wish Upon a Star from the movie Snow White, I believe, about 1938.

Exploring Harmonics

I play it with harmonics and pure tones. I used to work with steel players who would play things like:

  • They play a harmonic
  • While they're doing it, they hit a pure tone.

So I got to fooling around with that years ago. You can play a pure tone and harmonic to get some nice effects.

Recording History

About 1960, I did this on a record. Then I went into White Christmas. Lenny Breau heard it, and he took harmonics and did just wonderful things with me. He came up with the pull-offs, which I used in this arrangement.

Recording Timeline

  • I think I recorded this probably in '62 or '63; I don't know which album.
  • Doesn't matter; they're not available now anyway, except at garage sales.
  • I'm big at garage sales!

Playing Techniques

You play the same thing here, of course, as you do up here.

  • Go on to harmony there.
  • Have to get that kind of A chord to get that arpeggio.
  • Then this B flat to an A diminished.

This can be played many ways. We'll see.

Moving Bass Line

This is very useful in the next part. I use a moving bass line:

  • C major seventh
  • C sharp diminished

This is an important chord too, as I mentioned earlier:

  • E flat diminished
  • C with an E in the bass
  • A minor

You can do that in many light ways, like:

  • Useful.
  • Then the moving basses.

It's hard for me to play things slow. Let me try it again.

Arpeggio Techniques

Now, use some arpeggios here. Again, it's harmonics up and down.

  • When you play them down, you start with a harmonic.
  • If you play them up, you start with a pure tone.

See? And we add that, whatever it is there, 6th. See how we do that?

  • Hammer on.

About the instructor

Chet Atkins
Chet Atkins

Bekannt als „Mr. Guitar“, ist Chet Atkins der meistaufgenommene Soloinstrumentalist der Musikgeschichte. Sein unverkennbarer Picking-Stil wurde von Merle Travis inspiriert, weitere große Einflüsse waren Django Reinhardt, George Barnes, Les Paul und später Jerry Reed. Dieser markante Picking-Stil und seine Musikalität brachten ihm Bewunderer innerhalb und weit über die Country-Szene hinaus ein, in den Vereinigten Staaten wie international. Als Studiomusiker veredelte sein Spiel Platten von Elvis Presley, Kitty Wells, The Everly Brothers, Hank Williams und Dutzenden weiterer Nashville-Legenden. Sein Stil beeinflusste später Pop-Größen wie Mark Knopfler, Duane Eddy, George Harrison, The Ventures, George Benson und Eddie Cochran sowie Tausende von Country-Gitarristen. Er gewann neun CMA Awards als Musician of the Year, vier Auszeichnungen der Playboy-Jazz-Umfrage und dreizehn Grammys. Mit über 35 Millionen verkauften Exemplaren seiner mehr als 75 Originalveröffentlichungen war Atkins zudem Träger des Grammy Lifetime Achievement Award. Er half, den Nashville sound zu prägen, einen Stil der Country-Musik, der dem Pop fast ebenso viel verdankte wie den Honky Tonks – und ohne ihn wäre die Country-Musik in den 50er- und 60er-Jahren womöglich nie in die Pop-Charts vorgedrungen. Lerne vom Meister – klicke einfach auf einen der Kurse auf dieser Seite! read more

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19 lessons (1h 24m)
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