Mr. Bojangles - Unterricht

Chet Atkins
Chet Atkins

Lesson time: (6min 45sec)

In dieser Lektion bringt dir Chet Atkins bei, wie man das Stück Mr. Bojangles auf der Gitarre spielt.

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This lesson is part of the course Die Gitarre von Chet Atkins
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Lesson transcript:

Music Lesson: "Mr. Bojangles"

Introduction

"Mr. Bojangles." Great song! You know what makes a great song? It's good lyrics and a great melody. Too often, I think writers just come up with a nice idea and then stick whatever tune comes to mind. That's not how you create a great song. However, I love to play this one.

Rhythm and Melody

  • It has a unique rhythm that I play between each section.
  • The song features a moving bass line throughout, blending low bass with harmony simultaneously.
  • There are also little slurs that give a country sound to the melody, inspired by:
    • Bob Wills on the fiddle
    • Floyd Cramer on the piano

Chord Changes

Let's break down the chord changes:

  • We start with F Major 7.
  • I usually slide up that E A with the G in the bass.
  • A minor D leads into an A minor seven and then a diminished chord (I apologize for that confusion).
  • After repeating the melody, we transition back to F Major 7 and then to E minor seven.

Adding Jazz Changes

I incorporate jazz changes to make the tune a little more interesting. Then, it transitions to the chorus, which I play back to the intro.

Improvisation

Right here, I improvise on the melody because I refuse to play the same melody again.

  • You have to keep it interesting.
  • Think of it as telling a story: if you tell it again, you need to add more details, much like telling a joke.

I change the melody this way, adjusting where necessary. For example, I move from a B flat down to a G.

Finger Technique

It's very important, when playing, to keep your little finger anchored. This technique makes it a lot easier to navigate the strings:

  • If your fingers are flying up all the time, finding the strings again can become troublesome.
  • Keeping a finger anchored is crucial.

Final Chords

I enjoy that little jazz change from B flat to D minor, then returning to the chorus of "Mr. Bojangles."

I end the song with a chromatic bass line to an A flat and then a G. The ending has a flavor similar to a Beatles tune, though I can't recall which one. But, you know what? I don't care, I use it anyway!

Conclusion

That's it! Enjoy playing "Mr. Bojangles."

About the instructor

Chet Atkins
Chet Atkins

Bekannt als „Mr. Guitar“, ist Chet Atkins der meistaufgenommene Soloinstrumentalist der Musikgeschichte. Sein unverkennbarer Picking-Stil wurde von Merle Travis inspiriert, weitere große Einflüsse waren Django Reinhardt, George Barnes, Les Paul und später Jerry Reed. Dieser markante Picking-Stil und seine Musikalität brachten ihm Bewunderer innerhalb und weit über die Country-Szene hinaus ein, in den Vereinigten Staaten wie international. Als Studiomusiker veredelte sein Spiel Platten von Elvis Presley, Kitty Wells, The Everly Brothers, Hank Williams und Dutzenden weiterer Nashville-Legenden. Sein Stil beeinflusste später Pop-Größen wie Mark Knopfler, Duane Eddy, George Harrison, The Ventures, George Benson und Eddie Cochran sowie Tausende von Country-Gitarristen. Er gewann neun CMA Awards als Musician of the Year, vier Auszeichnungen der Playboy-Jazz-Umfrage und dreizehn Grammys. Mit über 35 Millionen verkauften Exemplaren seiner mehr als 75 Originalveröffentlichungen war Atkins zudem Träger des Grammy Lifetime Achievement Award. Er half, den Nashville sound zu prägen, einen Stil der Country-Musik, der dem Pop fast ebenso viel verdankte wie den Honky Tonks – und ohne ihn wäre die Country-Musik in den 50er- und 60er-Jahren womöglich nie in die Pop-Charts vorgedrungen. Lerne vom Meister – klicke einfach auf einen der Kurse auf dieser Seite! read more

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19 lessons (1h 24m)
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