Nashville Shuffle und Old Joe Clark

Mit
Chris HaighChris Haigh bringt dir den Nashville Shuffle bei - das Bogenmuster hinter so vielen amerikanischen Fiddle-Stilen - und wendet es auf das Stück Old Joe Clark an.
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25 Lektionen (1h 30m) · 1 gratis
01. Der Georgia Shuffle
5:42

02. Whiskey Before Breakfast (Performance)
0:44

03. Double Stops in Wednesday Night Waltz
8:34

04. Wednesday Night Waltz (Performance)
0:54

05. Mehr Doppelgriffe: Cheatem County Breakdown
4:06

06. Cheatem County Breakdown (Darbietung)
0:44

07. Singende Cowboys: Yellow Rose of Texas
5:34

08. Yellow Rose of Texas (Vortrag)
0:22

01. Western Swing: Beaumont Rag
9:50

02. Beaumont Rag (Interpretation)
1:12

03. Bob Wills - Red River Valley
5:25

04. Red River Valley (Performance)
0:33

05. Twin Fiddling: Tonleiter, Goodbye Liza Jane
3:35

06. Western-Swing-Soli
5:06

07. Goodbye Liza Jane (Solo-Performance)
1:17

08. Western-Swing-Licks
9:19

09. Girl I Left Behind Me (Solo-Durchgang)
2:33

10. Girl I Left Behind Me (Solo-Performance)
0:28
Transkript der Lektion
Lesson: The Nashville Shuffle
Hello! This lesson is about the Nashville Shuffle, which is a very important part of many American fiddling styles.
What is the Nashville Shuffle?
The Nashville Shuffle sounds like this:
You will recognize it straight away as being something very distinctive.
It exists in various forms and can serve multiple purposes:
- Intro: Use it before a tune.
- Melody: Add drive to the melody.
- Soloing: Introduce a particular rhythm to your soloing.
It is a very important technique that many people utilize. Among the several shuffles, the Nashville Shuffle is the most basic and, arguably, the most important.
Breakdown of the Shuffle
So, what does the shuffle consist of?
- 1 Down Bow
- 2 Short Up and Downs
- 1 Up Bow
The accent pattern is crucial:
- The accent initially is on the long note (the down bow), followed by an accent on one of the short up bows, and then again on the down bow after that.
Eventually, you should think of it simply as:
Down, Up, Down, Up.
Variations on the Accent
You can enhance this rhythm by shifting the accent away from the long note. Instead, focus it on the first of the short notes.
- Now, the accent comes not from the length of the note but from digging in with your wrist.
- Here's an example on a C sharp, while also adding an open string drone on the E.
Practicing the Shuffle
When starting out, it's a good idea to play this slowly, especially if you're new to it. Then, gradually speed it up. Mastering this may take:
- A few minutes
- Days
- Even a couple of weeks
However, it is something you really need to master.
Applying the Shuffle: "Old Joe Clark"
Let's look at a tune called Old Joe Clark.
This tune naturally falls into the Nashville Shuffle due to its note structure.
- Let's play it first without any accents but with the Nashville Shuffle.
Now, we will add the accent on each of the first short notes, and you will notice that it has a lot more drive.
I also added several open string drones in the mix.
Homework Assignments
We will be returning to the Nashville Shuffle in subsequent lessons, but it's essential to get comfortable with it from the start.
Here are your assignments:
- Normal Scales: Practice a D Major scale using the Nashville Shuffle.
- Simple Tunes: Add the Nashville Shuffle to tunes you already know.
- Speed Practice: Work on increasing the speed of your Nashville Shuffle so that you can perform it automatically and quickly.
Happy practicing!
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Chris Haigh ist seit 25 Jahren professioneller Fiddle-Spieler mit Erfahrung in vielen verschiedenen Genres. Er hat auf über 75 Alben gespielt und dabei mit Künstlern wie Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway und Steps zusammengearbeitet.
Er hat Swing-Jazz mit The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London und den Quecumbar Allstars gespielt und leitet die siebenköpfige sowjetische Swing-Band The Kremlinaires.
Chris gibt Unterricht und Workshops zur Jazzgeigen-Technik und hat Jazzgeige an den Universitäten Middlesex, Brunel und Newcastle sowie am Truro College unterrichtet. Zu seinen Veröffentlichungen zählen neun Fiddle-Bücher, darunter The Fiddle Handbook.
Außerdem betreibt er Fiddling Around (fiddlingaround.co.uk), vermutlich die umfassendste und meistbesuchte Quelle für Fiddle-Wissen im Netz.



















