Mehr Doppelgriffe: Cheatem County Breakdown
Lesson time: (4min 6sec)
Nimm dir die Doppelgriffe auf der Fiddle über Cheatem County Breakdown vor und stütze dich dabei auf Arthur Smiths Stil des zweiten über dem vierten Finger und sein synkopiertes Feeling.
Course preview
This lesson is part of the course Einführung in die Country- und Bluegrass-Fiddle
Watch a preview of the full course below.
Lesson transcript:
Music Lesson: Double Stops in American Fiddling
Hello! In this lesson, we're going to look at more double stops. I have to say that double stops are where a lot of the challenge of American fiddling lies.
Spotlight on Arthur Smith
We're going to examine the playing of Arthur Smith, often referred to as "Fiddling Arthur Smith." He was one of the early stars of the Grand Ole Opry, making his debut in 1927, and he was particularly skilled in double stops.
The Tune: Cheetham County Breakdown
One of the tunes we're going to play, which featured prominently in his performances, includes a whole load of second over fourth finger combinations.
- Second Finger: Goes down first
- Fourth Finger: Then placed on the string
Stretch and Positioning
You may find that your fourth finger interferes with the second finger when playing on the E string. If this happens, you'll need to adjust your hand position to ensure it's at the right angle.
Another Common Technique
We also have open over four, which is another prevalent technique in American fiddling.
- The open E string and the fourth finger play the same note simultaneously.
Again, it's crucial to have your hand positioned well so that your finger is pointing straight down, avoiding any unwanted sounds.
Playing the Tune
Let's go straight into the tune, Cheetham County Breakdown.
Cheetham County, which can be spelled in various ways, is actually named after a county just west of Tennessee.
I'm going to play this tune nice and slow, and we'll follow with some backing:
- Count: 1, 2, 3, 4.
Important Elements
- You'll notice that not only do we have these double stops, but there is also a significant amount of syncopation in this tune, which is something we've already covered.
Practice Exercise
Now, let's try the same thing, but this time slightly faster and with backing.
For your assignment in this lesson:
- Go back over some of the tunes we've covered and play slow versions while creating some double stops.
- Focus on finding either open over fourth or second over fourth harmonies like we've practiced.
Happy fiddling!
About the instructor

Chris Haigh ist seit 25 Jahren professioneller Fiddle-Spieler mit Erfahrung in vielen verschiedenen Genres. Er hat auf über 75 Alben gespielt und dabei mit Künstlern wie Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway und Steps zusammengearbeitet. Er hat Swing-Jazz mit The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London und den Quecumbar Allstars gespielt und leitet die siebenköpfige sowjetische Swing-Band The Kremlinaires. Chris gibt Unterricht und Workshops zur Jazzgeigen-Technik und hat Jazzgeige an den Universitäten Middlesex, Brunel und Newcastle sowie am Truro College unterrichtet. Zu seinen Veröffentlichungen zählen neun Fiddle-Bücher, darunter The Fiddle Handbook. Außerdem betreibt er Fiddling Around (fiddlingaround.co.uk), vermutlich die umfassendste und meistbesuchte Quelle für Fiddle-Wissen im Netz. read more




