Girl I Left Behind Me (Solo-Durchgang)

Chris Haigh
Chris Haigh

Lesson time: (2min 33sec)

Chris Haigh analysiert Note für Note ein Fiddle-Solo über 'The Girl I Left Behind Me' und erklärt die Licks, Fingersätze und eine verminderte Substitution, die es antreiben.

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This lesson is part of the course Einführung in die Country- und Bluegrass-Fiddle
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Lesson transcript:

Solo on "The Girl I Left Behind Me"

Okay, now we're going to look at a solo on The Girl I Left Behind Me, which is absolutely packed full of these kinds of licks.

Breakdown of the Solo

I need to go through it slowly first. So, we're going to start off with:

  • Similar Lick:

    • Second finger over first finger.
    • Moving from first position up a third to third position.
  • Diminished Substitution:

    • This is a tricky fingering.
  • Transition to D7:

    • Then we've got a lick that takes us to the D7.

Lick Details

And then we're into this lick, which is:

  • Open E:
    • With the first finger sliding down.
    • Second finger over third finger.

This lick is taken from Johnny Gimble's Fiddling Around, which is a great tune in itself. So, that will take a bit of work.

  • Next Pieces:
    • The yodel.
    • A syncopated chop.

So, that is a bit of a diminished going into C.

Altered Notes & Hemiola

  • Altered Notes:

    • These are jazz elements, which I won't explain, but again, they are in my jazz violin book.
  • Hemiola:

    • That's what we call a hemiola, which is a three-note phrase that crosses the bar lines.
  • Augmented Substitution:

    • Second finger over first finger.
    • Third over second.
    • First over open.
    • Two over one.
    • Three over two.

This will take quite a bit of work to get that.

Practice Tips

I would spend quite a bit of time playing this slowly and then gradually get it up to speed so you can play it along with the backing track.

About the instructor

Chris Haigh
Chris Haigh

Chris Haigh ist seit 25 Jahren professioneller Fiddle-Spieler mit Erfahrung in vielen verschiedenen Genres. Er hat auf über 75 Alben gespielt und dabei mit Künstlern wie Alison Moyet, Bob Geldof, All About Eve, Michael Ball, David Soul, Oumou Sangare, The Quireboys, Riverdance, Morcheeba, James Galway und Steps zusammengearbeitet. Er hat Swing-Jazz mit The Kimbara Brothers, Diz Disley, Le Jazz, The Hot Club of London und den Quecumbar Allstars gespielt und leitet die siebenköpfige sowjetische Swing-Band The Kremlinaires. Chris gibt Unterricht und Workshops zur Jazzgeigen-Technik und hat Jazzgeige an den Universitäten Middlesex, Brunel und Newcastle sowie am Truro College unterrichtet. Zu seinen Veröffentlichungen zählen neun Fiddle-Bücher, darunter The Fiddle Handbook. Außerdem betreibt er Fiddling Around (fiddlingaround.co.uk), vermutlich die umfassendste und meistbesuchte Quelle für Fiddle-Wissen im Netz. read more

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25 lessons (1h 30m)
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