Lektion 6 von 10MusikproduktionIntermediate

Ein Template einrichten und speichern

Dovs Template basiert auf einer Kombination aus orchestralen und elektronischen Klängen. Sehen wir uns an, wie er alles mit Spur-Ordnern eingerichtet hat.
Teil des KursesKomposition in Logic: Workflow und Templates10 Lektionen (0h 46m)

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10 Lektionen (0h 46m) · 1 gratis
    • 01. Willkommen zum Kurs und Dovs Sicht auf Kreativität

      Gratis-Lektion

      3:29

    • 02. Einführung in Workflow & Effizienz

      1:30

    • 03. Workflow und Effizienz

      7:13

    • 04. Tastenbefehle

      6:04

    • 05. Eine Klangpalette erstellen

      4:02

    • 06. Ein Template einrichten und speichern

      Du bist hier

      4:30

    • 07. Überblick über die Library und Channel-Strips

      9:20

    • 08. Die Werkzeugleiste

      4:23

    • 09. Screen-Sets

      4:34

    • 10. Aufgabe: Erstelle dein Template

      1:18

Transkript der Lektion

Music Production Lesson: Using Track Stacks in Your Template

Okay, so my template is built up of a combination of electronic and orchestral sounds. I have various sections of the orchestra over here:

  • Strings
  • Brass section
  • Woodwinds
  • Orchestral effects pads
  • Atmospheres
  • Sequences
  • Ops arpeggiators

Organizing Tracks

I save all my sounds into these track folders. Now, regarding track folders:

  • If I select a bunch of tracks (like I've done here with my string sections) and do a Control+Click, I can create a Track Stack.

When I do this, it opens up a page giving me an option to save it as either:

  • Folder Track
  • Summing Track

Folder Track

A Folder Track basically just groups the tracks into what is known as a VC (Volume Control) channel strip. This will only control your volume. Any auxiliaries or outputs are specific to the instruments themselves and will go out wherever you've sent them.

Summing Track

A Summing Track, on the other hand, acts as a bus auxiliary. This means you're bussing all these instruments into a bus, allowing you to control them much easier.

  • For example, if you wanted to add compression over your entire string section, this is where you would do it.

Demonstrating Folder vs. Summing Track

Let's reverse that for a moment and show what happens if I create a Folder Track.

  • If I go to create a Track Stack and choose a Folder Track, it will produce a folder track that only has one volume control for it.
  • The rest of these instruments are still going out; they should be bussed to the normal output.

However, because I've already created a Summing Track before, it has converted these to Bus 3. Normally, with the Folder Track, you would see the output as "Stereo Output."

Setting Up Summing Track

So, I'm going to reverse it back and do a Summing Track, which is what I normally use for this type of folder track.

  • My outputs are now in Bus 3, which goes to my main output.
  • As you can see, I've done this for all the rest of my instrument sections, such as:
    • Brass, bussed out to this folder track Bus 4
    • Woodwinds, and so on and so forth.

Final Thoughts

Basically, at the end of this, I've got a very large template that works efficiently for me.

  • This template may be moderately large, but it suits my needs.
  • Your template doesn't necessarily need to be as big. Depending on the type of music you're writing, you can have various different templates.

I have different templates for the varying genres of music I write for.

Saving Your Template

Once I'm satisfied with my settings, I'll save it as a template.

  • To save, I go to FileSave as Template.
  • If I've made any tweaks or changed some sounds and want to save them as a new template, I repeat the same steps.

This will save the template in your Templates folder, which is located in your Logic folder in your user library.

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Dov Waterman ist Komponist, Pianist und Produzent. Er hat für Filme wie After Earth, Terminator Genisys, Transformers: The Last Knight und The Snowman Musik geschrieben und das Sounddesign gestaltet und arbeitet als Audio-Editor für Sample-Bibliotheken und Sounddesigner mit Firmen wie Native Instruments und SonoKinetic.

Seine Reihe Composition in Logic geht den Aufbau eines Tracks von Anfang bis Ende in Logic Pro durch – von Templates und Workflow über Synthese und Beat-Programmierung, MIDI-Effekte, Editing bis zum finalen Mix – für Produzenten, die ihre Ideen in fertige Tracks verwandeln möchten.

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