How to play the solo
Lesson time: (7min 1sec)
Let's break down the solo section of Whole Lot Of Shakin' that has a really interesting left hand.
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This lesson is part of the course Play Authentic Rock 'n' Roll Piano
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Lesson transcript:
Jerry Lee's Solo on "Whole Lot of Shakin' Going On"
Cool! So let's dive into Jerry Lee's solo on "Whole Lot of Shakin' Going On." This is where he takes his attitude to a new level. It's a very cool solo that has some different ideas in it.
Overview of the Solo
I'll play you pretty much what Jerry Lee plays on the record, and then we'll break it down.
- Starting Point: Taking it from chord 5 of the previous 12 bars and then going into the solo.
"Here we go. We're faking. There's a whole lot of going on!"
As you can hear, there are quite a lot of ideas that he uses in that solo. It's full of that classic rock and roll attitude.
Left Hand Technique
Changing Dynamics
Let's start by looking at the left hand:
- He changes the left hand from the verses, increasing the intensity by doubling up.
- Instead of playing quarter notes (crotchets), he's playing eighth notes (quavers).
This change introduces a different figuration. It has that major-minor thing, a characteristic of a lot of American music. It's heavier and grittier, which really lifts the music when he hits that solo.
Playing Style
- He plays heavy for the first six bars, leading up to chord 4.
- Then he does something unexpected that I hadn't really noticed as a kid.
"He does this kind of very unexpected left hand."
It's subtle but jumps up to the 10th. I'm not sure those are the exact notes, but it's pretty wild from those simple left hand parts.
- This style might be more likely attributed to New Orleans music, like Jelly Roll Morton or other New Orleans players.
Moving Between Chords
Let's focus on how he transitions:
- Going from chord 4, you really need to get that rhythm down.
- If not, it may lose momentum.
"It stops this very kind of driving left hand to play something a little more melodic."
Unique Influence
That melodic choice is so hip! I haven't heard anyone else in the rock and roll world do something quite like that. In fact, I haven't really heard anyone pick out that left hand in this song.
One Take Wonder
While we're at it, remember this was just one take of "Whole Lot of Shakin'." Jerry Lee plays it differently every time.
- If you listen to various live recordings over the years, you'll find he never plays these songs the same.
This is just a glimpse of one moment in time. In fact, I've heard they only had one take to record this song. Legend has it they had a little bit of tape left on the machine at Sun Studios and decided to go for it.
Drumming Choices
- This single take may explain the slightly strange drum feel at the start of the piano solo.
- Typically, a drum fill leads into the start of a section, not begins at the actual start.
"It almost sounds unexpected because your ear tunes into that drum fill as normally starting the section."
This adds excitement to the performance!
Conclusion
So, that's a little aside regarding Jerry Lee's approach to "Whole Lot of Shakin'." It's a fascinating blend of techniques and styles that showcases his unique musical voice.
About the instructor

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'. He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club. His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album. "I love it... there's a guy who can really play the piano" - Dave Brubeck "I highly recommend it. Somehow things start to feel much better!" - Jack Bruce "The best blues piano player in Europe..." - Blues Access, USA "Impressive & original" - The Times "Dazzling" - The Independent Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business. read more




