Lesson 9 of 25PianoIntermediate

Expanding on Jerry Lee's piano part

6:16

Paddy Milner takes Jerry Lee Lewis's ideas from "Whole Lot of Shakin'" and shows how to vary them with sixths, inversions and ninth chords in your own playing.

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Paddy MilnerYour guruPaddy Milner

What's in the course

25 lessons (2h 34m) · 1 free
    • 01. How to play the intro

      4:09

    • 02. Melody and right hand

      9:26

    • 03. How to play the solo

      7:01

    • 04. Right hand and turnaround

      12:43

    • 05. Other ideas

      5:42

    • 06. How to play the ending

      1:38

    • 07. Expanding on Jerry Lee's piano part

      You are here

      6:16

    • 08. Expanding Jerry Lee's solo ideas

      11:49

    • 09. Using crushed notes

      7:12

Lesson transcript

Exploring Variations in "Whole Lot of Shakin'"

Cool! So let's look at some things we can do with the ideas that Jerry Lee plays in "Whole Lot of Shakin'." As you know, while it's cool to sound like Jerry Lee Lewis and replicate his style, it's also nice to be creative and use these ideas in your own improvisation.

Main Groove Variations

Chord Variations

  1. Introducing the Sixth:
    Why not introduce some slightly different variations of the chord?

    • Adding a sixth makes a slightly richer sound.
    • A sixth is the sixth note of the scale: 1, 2, 3, 4, 5, 6.
    • For example, adding an A to the triad brings a richer feel.
  2. Using Inversions:
    Try using inversions for those chords. While this works well, it might sound slightly odd on chord V and even chord IV.

    • Always trust your ear. If something doesn't sound quite right, it probably isn't!
  3. C6 to C Minor Six:
    Instead of adding the sixth on chord IV, consider turning the C6 into a C minor six.

    • This produces an interesting sound, almost like an inversion of an F7 with a ninth:
      • 1, 2, 3, 4, 5, 6, 7, 8, 9.

    This results in a warm sound on chord IV, since you're not moving far from chord I to what would be the seventh on chord IV.

Adding Ninth Chords

  • You could also explore ninth chords, for example:
    • C7, 9 = 1, 2, 3, 4, 5, 6, 7, 8, 9.
    • Consider using an inversion, placing the E and G on top.

Assessing the Sound

Does this work on chord V and IV?

  • It might sound a bit too "flowery" and not as raw as basic triads or seventh chords.

Left Hand Variations

  • In your left hand, consider shifting rather than staying static. Aim to:
    • Go up to the seventh.
    • Play the seventh in the right hand towards chord IV.

Example:

  • Play up to the octave in the left hand, then the seventh.

Chord Familiarity

So, there are many different chordal variations to explore:

  • Get to know your sixths, sevenths, and ninths.
  • Experiment with different inversions and chord qualities.
  • Discover which sounds resonate with you.

You might come up with combinations that others haven't thought of, helping you to develop your unique sound.

Right Hand Techniques

Now, let's look at some of the right-hand techniques he employs in the solo and see what we can do with all that material!

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Meet your guru

Paddy Milner

Paddy Milner

Paddy Milner is recognised as one of the leading blues piano players in the world - he is currently keyboard player of choice for Sir Tom Jones, following several years with the late, great Jack Bruce - but he is also a superb original songwriter and a distinctive singer. Just read the praise from the likes of Dave Brubeck below! His playing was featured on the soundtrack for the hit 2019 film 'Rocketman'.

He has twice won the award for Best Keyboard Player in the British Blues Awards, and he holds a long-standing residency as a founder member of the Ronnie Scott's Blues Explosion at the world-renowned Ronnie Scott's club.

His current group LONDONOLA plays homegrown British music with a strong dose of New Orleans spirit, and his collaborative group JAWBONE goes from strength to strength following the release of their self-titled debut album.

  • "I love it... there's a guy who can really play the piano" - Dave Brubeck
  • "I highly recommend it. Somehow things start to feel much better!" - Jack Bruce
  • "The best blues piano player in Europe..." - Blues Access, USA
  • "Impressive & original" - The Times
  • "Dazzling" - The Independent

Across his courses, Paddy breaks down authentic blues shuffle, slow blues, boogie-woogie, rock 'n' roll and New Orleans piano - right down to three classic boogie-woogie songs - so you can learn these styles from one of the very best in the business.

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