The ‘A’ section

Tom Seals
Tom Seals

Lesson time: (3min 36sec)

Tom Seals breaks down the ‘A’ section of Ray Charles’ ‘Hallelujah I Love Her So’ on piano - the chords, inversions and a 2-5-1 turnaround.

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Lesson transcript:

Lesson: A Section in G

Introduction

So let's start with the A section. Of course, we're in the key of G. So just a simple G chord to start with.

Chord Breakdown

  • Now, it's a G over B.
    • This means:
      • Right hand is G
      • Left hand is a B.
  • That's it in the most simplest of forms.

First Bar

The first bar we've got:

"Let me tell you about a girl, C that I know, D7."

You'll see, like we were doing before, looking at an inversion.

  • D7: We're moving the C at the top.
  • We're going to move it down to the bottom just so it's a bit more comfortable for our hands to play.

First Line

So this first line is as simple as this:

"Let me tell you about a girl that I know and again, she's my baby, she lives next door."

Now there's a stab.

Creating Dramatic Effect

This stab, in my mind, is how we can use the piano to create a real dramatic effect:

  • Stab on the G.
  • So we're gonna hit it nice and sharp to C.

Next Chord

The next chord is this:

  • We're going to have a C sharp in the left hand.
  • Now, this is A again, a nice inversion:
    • G in the thumb
    • Second finger on the B flat
    • Third finger on the C sharp
    • Little finger on the E.

Back to the G.

Progression

A D over F sharp:

  • Now again, that means:
    • D in the right hand
    • F sharp in the left hand.

It's E minor 7.

Turnaround

Then, "Hallelujah, I love her so" is a little trick, a little turnaround that we use, which is called a 2, 5, 1.

  • Now, 2, 5, 1 is the root note.

  • So we're in the key of G.

  • The one is the G, which makes the two the second chord of G.

  • If one is G, two is A because it's the next note in the chord.

    • So the two is always A minor seven.
  • Okay? So if we think:

    • 2 minor seven, which would mean A minor seven.

Sequence

So, A minor seven to the five, which is always A major seven.

  • The fifth chord in the scale of G:
    • G, A, B, C, D.

Of course, this becomes the D seventh.

  • D7 back to G, which is one.

Familiarity

That V I is so familiar to the ear; it feels comfortable, it feels safe. And we know we've ended that sequence.

  • So a 2, 5, 1 in this case would be A minor 7, D7 back to G.

Play Along

Okay, so play along with that.

  • Have a look at the A section.

  • I'll play it for you now at tempo in the most simple form and then we can look at how we can develop it.

  • C back to the G 2, 5, 1.

Conclusion

So that's the A section. Now let's move on and have a look at how we can make this bluesy and make it your own!

About the instructor

Tom Seals
Tom Seals

The mantle of UK Piano Man has long been held by Elton John, Jools Holland and Jamie Cullum. Over the past five decades no one else has come remotely close - until now! Fresh from his sell-out "Let The Good Times Roll" tour, Tom Seals - "quite possibly the future of jazz and blues" - has the world at his fingertips. His virtuoso soloing, excellent improvisation skills and distinctive voice have led top industry figures to hail him as the UK's finest boogie woogie and blues pianist and vocalist. Still in his mid-twenties, Seals has already played sold-out shows across the globe, including London's legendary Ronnie Scott's, a stunning performance at Birdland Jazz Club on Broadway in New York, and work alongside Jools Holland. Notable appearances include: Cheltenham Jazz Festival's 'Gregory Porter & Friends' Jools Holland's 'Boogie Woogie & Blues Spectacular' Birdland Jazz Club, New York City British Summer Time - Hyde Park Ronnie Scott's Jazz Club Gisburne Park Pop-Up Montreux Jazz Festival Cropredy Festival The Steinway Two Pianos Festival Glastonbury Newark Showground "Drive-In" Blenheim Palace In his course, Tom throws open the secrets behind his playing - showing you how to swing standards at the piano, build authentic boogie woogie and blues lines, and find the freedom to improvise, so you can become the ultimate Piano Man yourself. You can read Tom's full biography at www.tomseals.co.uk. read more

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