Building your confidence in soloing

With
Tom SealsTom looks at how to get started with solo ideas by using the melody line to inspire you.
What's in the course
21 lessons (1h 47m) · 1 free
01. Intro to 'New York State of Mind'
3:05

02. Using thirds
Free lesson1:41

03. Making it ‘blues-y’
10:58

04. Making it ‘jazzy’
1:20

05. Building your confidence in soloing
You are here3:05

06. Advanced solo ideas
7:30

07. A classic ‘Billy’ ending
3:47

08. Tom Seals performs Billy Joel's 'New York State of Mind'
6:26
Lesson transcript
Improvisation Confidence in Music
People often say to me, "How do you feel so confident to go on stage and improvise?"
You go on stage with no idea what you're going to play. I really enjoy that because it allows me to express my creativity and what I'm feeling in that moment.
Starting Simple
Now, if you haven't got a lot of confidence with it to start with, start simple.
- We know the melody.
- Take the melody; it's only four notes, but you can have some fun with that.
Changing the Rhythm
The most obvious thing to do is:
- Don't even change the notes.
- Just change the rhythm.
For example:
"Some folks like to get away, take a holiday from the neighborhood."
Obviously, if you were singing it, it would sound a bit disjointed, but if you're soloing, you're not going to be singing it, you're just going to be playing.
Advancing the Melody
I'll just play some stuff in the right hand and watch how I advance the melody.
- I'll put it on a loop.
- I'll keep it quite similar to the original.
- Then by the end, let's see where it goes.
And again and again.
The little arpeggios that I'm using to connect one note to the other are simply:
- The arpeggios of the chord.
Once you've got your head around the chords we're playing, you can mix those chords with:
- Some blues scales
- The pentatonic scales
You can just come up with your own thing.
Embrace Improvisation
The thing to remember is:
"It can't be wrong because you're improvising. It's what you're feeling right there."
You can just tell people that's what you're meant to do anyway because that's what I do.
You're only ever:
"Half a note away from a right note."
So, if you hit a note and it doesn't sound quite right, just move it up or down a semitone, and I promise you'll get there in the end.
Have Fun!
For one last time, I'm going to start quite simple and then let's see where it ends up.
Have fun with this!
- Take your own spin.
- Make it jazzy.
- Make it bluesy.
And you too can have your own version of the incredible New York State of Mind!
21 lessons
1h 47m of structured video lessons
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Meet your guru

Meet your guru
The mantle of UK Piano Man has long been held by Elton John, Jools Holland and Jamie Cullum. Over the past five decades no one else has come remotely close - until now!
Fresh from his sell-out "Let The Good Times Roll" tour, Tom Seals - "quite possibly the future of jazz and blues" - has the world at his fingertips. His virtuoso soloing, excellent improvisation skills and distinctive voice have led top industry figures to hail him as the UK's finest boogie woogie and blues pianist and vocalist.
Still in his mid-twenties, Seals has already played sold-out shows across the globe, including London's legendary Ronnie Scott's, a stunning performance at Birdland Jazz Club on Broadway in New York, and work alongside Jools Holland.
Notable appearances include:
- Cheltenham Jazz Festival's 'Gregory Porter & Friends'
- Jools Holland's 'Boogie Woogie & Blues Spectacular'
- Birdland Jazz Club, New York City
- British Summer Time - Hyde Park
- Ronnie Scott's Jazz Club
- Gisburne Park Pop-Up
- Montreux Jazz Festival
- Cropredy Festival
- The Steinway Two Pianos Festival
- Glastonbury
- Newark Showground "Drive-In"
- Blenheim Palace
In his course, Tom throws open the secrets behind his playing - showing you how to swing standards at the piano, build authentic boogie woogie and blues lines, and find the freedom to improvise, so you can become the ultimate Piano Man yourself.
You can read Tom's full biography at www.tomseals.co.uk.

























