Lesson 6 of 28GuitarAdvanced

How to Create Swing Feel

1:51

Rob Luft shows how to bring swing to your gypsy-jazz accompaniment - emphasising beats one and three and bouncing the quavers.

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What's in the course

28 lessons (2h 7m) · 1 free
    • 01. Why study Django Reinhardt?

      3:45

    • 02. Chords and Harmony - A Section

      11:06

    • 03. Chords and Harmony - B Section

      2:21

    • 04. Right Hand Techniques - European vs American

      5:04

    • 05. How to Create Swing Feel

      You are here

      1:51

    • 06. Melody Walkthrough

      9:10

    • 07. Soloing - Arpeggios and Enclosures

      Free lesson

      10:40

    • 08. Soloing - The Harmonic Minor Bebop Scale

      8:27

    • 09. Soloing - Use of Pentatonics

      9:45

    • 10. Clouds - Performance (Split-screen with accompaniment)

      3:48

    • 11. Clouds - Performance

      3:49

    • 12. Clouds - Performance (Simplified)

      2:40

Lesson transcript

Understanding Gypsy Jazz as Dance Music

Let's not forget that this primarily is a form of dance music.

Jazz, at its inception, was American folk music for dancing in the Roaring Twenties. This is the history of the music: a fusion of European classical harmony with African American dance rhythms. The Charleston is perhaps the most famous dance from this period.

The Importance of a Steady Beat

This particular style, gypsy jazz, is also a form of dance music. Therefore, we must keep the beat steady, if not metronomic.

  • It has to feel good.
  • It has to be groovy.

Tips for Creating Swing

The tips I've given you about slightly emphasizing beat one and three heavier than beats two and four will help create that sense of swing within the music.

  • It's not easy to create swing when we're playing four crotchets.
  • Swing really comes from swinging the eighth notes, or quavers.

When playing a melody, we want to create that sense of swing, a kind of bouncy feel with the quavers. That's how we truly create swing.

The Challenge of Crotchets

Creating swing with crotchets is a real dark art. As I mention, it comes from emphasizing certain beats heavier than others.

The guitarists of the time were very aware of this need to evoke that feeling of swing.

Think Like a Hi Hat

So, yeah, these are all important takeaways at this point. Remember:

  • Think like a hi hat.
  • Emphasize the right beats.

Incorporating these elements will enhance your understanding and execution of gypsy jazz as a dance music genre.

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Meet your guru

Rob Luft

Rob Luft

Rob Luft is an award-winning musician from London, widely described as one of the UK's most prominent and talented young contemporary jazz guitarists. Praised by The Times as set 'to achieve great things in the future', Rob won the 2016 Kenny Wheeler Jazz Prize in association with Edition Records, and took 2nd Prize in the 2016 Montreux Jazz Guitar Competition. His debut album, 'Riser', was released in July 2017 to widespread critical acclaim across the European jazz media. John Fordham wrote in The Guardian that it's a 'very sophisticated debut, but given Luft's old-soul achievements since his early teens, we should have heard it coming'.

'So young and so talented!' - Jamie Cullum, BBC Radio 2 (UK)

'...an extraordinary talent!' - Julian Joseph, BBC Radio 3 (UK)

'The virtuosity of the three [guitarists Al di Meola, John McLaughlin and Paco de Lucia] is reminiscent of the 23-year-old Londoner Rob Luft, who is celebrated as a new "Wunderkind"' - Spiegel Online (D)

In Play Authentic Jazz Guitar, Rob opens up the harmonic language, phrasing and improvising instincts behind that 'old-soul' sound, showing you how he really thinks about the fretboard so you can start finding your own voice in jazz.

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