Lesson 25 of 28GuitarAdvanced

Linking to Past Masters

2:08

Rob Luft traces the improvising techniques that connect Django Reinhardt and Joe Pass to his own playing, and why studying those early masters still pays off today.

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Rob LuftYour guruRob Luft

What's in the course

28 lessons (2h 7m) · 1 free
    • 01. St Brian the 1st Song Story

      1:34

    • 02. Harmony and Voice Leading

      5:32

    • 03. How to Improvise over the Changes

      6:23

    • 04. Linking to Past Masters

      You are here

      2:08

    • 05. St Brian - Performance

      2:25

    • 06. St Brian - Performance (Split-screen with accompaniment)

      2:25

Lesson transcript

Exploring Improvisation: The Bridge Between Jazz and Modern Music

So, these are just a few of the sort of links between Django, Jo Pass, and my own music in terms of being an improviser. There are techniques that are ever-present; they're always relevant.

The Importance of Studying Early Players

It kind of just shows you that if you study these earlier players in a thorough way and with some precision, those techniques can be used when we're improvising over pieces right up to the modern day.

  • While the harmony might seem miles away from a piece by Django Reinhardt, melodically, we're thinking very much with the same mindset.
  • That's the beauty of being an improvising jazz guitarist in the 21st century: we have a wealth of influences to draw from and a rich heritage to rely upon.

Versatility in Music

I don't know, it's almost like we become the modern-day session musicians because we can jump into different styles very easily.

  • If someone calls you up wanting you to play on some folk music, it's very easy to dive into that world.
  • A blues band calls you up? You're able to do it.
  • What about classical music? We are often required to acclimatize ourselves with sight reading as jazz guitarists.

Dedication to Jazz Guitar

To really dedicate oneself to jazz guitar in this day and age, you will find a wealth of performance and work opportunities available. This diversity forces you to draw upon all these disparate influences.

  • Even if they might seem unattainable at first, it's always worth sticking by it and staying true to your vision.

Conclusion

I think within this journey, there's something for everyone.

So, I hope you've enjoyed this mini journey into my composition, St. Brian. Enjoy playing along with the backing track, playing the melody, and learning the chords. Good luck!

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Meet your guru

Rob Luft

Rob Luft

Rob Luft is an award-winning musician from London, widely described as one of the UK's most prominent and talented young contemporary jazz guitarists. Praised by The Times as set 'to achieve great things in the future', Rob won the 2016 Kenny Wheeler Jazz Prize in association with Edition Records, and took 2nd Prize in the 2016 Montreux Jazz Guitar Competition. His debut album, 'Riser', was released in July 2017 to widespread critical acclaim across the European jazz media. John Fordham wrote in The Guardian that it's a 'very sophisticated debut, but given Luft's old-soul achievements since his early teens, we should have heard it coming'.

'So young and so talented!' - Jamie Cullum, BBC Radio 2 (UK)

'...an extraordinary talent!' - Julian Joseph, BBC Radio 3 (UK)

'The virtuosity of the three [guitarists Al di Meola, John McLaughlin and Paco de Lucia] is reminiscent of the 23-year-old Londoner Rob Luft, who is celebrated as a new "Wunderkind"' - Spiegel Online (D)

In Play Authentic Jazz Guitar, Rob opens up the harmonic language, phrasing and improvising instincts behind that 'old-soul' sound, showing you how he really thinks about the fretboard so you can start finding your own voice in jazz.

Rob Luft
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