How to start listening and appreciating

With
DJ DeepDJ Deep shares where to begin when you're getting into house and techno - how to listen, where to find records and how to start defining your own taste.
What's in the course
21 lessons (1h 34m) · 1 free
01. Welcome to the course
1:31

02. Getting inspiration from mentors
Free lesson3:29

03. The essential listens from New York, Chicago and Detroit
6:03

04. Be curious, understand the styles and the machines
5:56

05. Walk your own path, define your own sound
3:26

06. My career & how I found my style
5:59

07. My definition of a DJ
6:03
Lesson transcript
Discovering Music: A Journey Through House and Techno
I mentioned in the previous chapters of the course that the first time I discovered house and techno, it was difficult to actually find the records. There was one record store called Bonusbeat where they had all the imports. As a young kid, I was really impressed to step in and say,
"I don't know anything about it, but I love this music. Where should I start?"
It's funny because I don't know what you think about it, Medic, but I feel that this sort of fear, maybe a big word, still exists for the younger ones.
Where to Start?
Where do you start, especially now that house and techno have been around for 30 years? I'm not even mentioning classic jazz, soul, and funk records. I'm also thinking about house, 30 years later, where do you start?
It's a tough one. A lot of young kids (I call them kids; I'm old now) come in, shy and wanting to act like they know, but they obviously don't. They're not ready to ask for advice or engage in conversation, which is cool. That's the point of a record shop.
- Don't act like you know everything.
- It's okay to not know.
- We all started somewhere.
Even more than that, I can tell you that even 30 years later, I still learn things all the time. I discover new records that I had no idea existed every single day.
"That's the whole point of it, it keeps us excited."
The Pleasures of Collecting
There's another conversation I had with a friend who also owns a record shop. He has a theory about collecting and diving deeply into something, as we do with music and records.
If you collect, but then at some point you feel like you've done everything and covered everything, first, that's not going to be true. But if you arrive at that point, suddenly your entire collection feels worthless because you think you've finished the thing.
- The pleasure of collecting is continuous.
- Understanding music and digging deeper is a long-term journey.
You're never going to see the end of it, so accept it. That's the game, and that's the fun!
New Trends and Perspectives
In addition, I see a lot of younger music fans who are getting into styles that I personally am not into. For instance, today there is a trend in what kids call electro, specifically, Detroit electro, but of today. They like a very specific version of this sound, such as some of the British mid-90s electro bleep sounds.
We never thought of those specifications when we came across those records in the past. We just said, "Okay, cool. This record has more of a breakbeat, and this record has more electro flavor."
"But those kids have very precise specifications."
They're not only enjoying new music in this style; they are also reissuing all the records that have become their classics. For us, at least for me, it can sometimes be a little confusing because we wanted to be part of this music back in the day.
Crafting Their Own Sound
I understand that the younger generation needs to create its own style from what already exists. For example, someone might say,
"I like Deep House, but I like it more reduced."
They'll invent their own version of it, like the Microsoft or the Romanian sound, or whatever it's called. I get it, and it's cool! It's their thing.
However, I find it interesting that some people dig back into the past, select a few records that correspond to today's criteria, and build their own classics.
For us old-schoolers, we might think,
"If you don't know all the Armando records, you don't know anything about Chicago."
Looking back, I realize that a record which has been in my collection for 30 years might be perceived as an "okay, bleepy" record to me, but to the younger generation, it's their big classic.
A Different Perspective
This makes me go back and listen again to those records, as we discussed, trying to understand them from a different angle.
"In a good way, it's like rewriting history."
It's not a bad thing in music; it's, as we said, a different perspective, influenced by their background and their take on music. To judge a record, you can only compare it based on what you know, your own experiences.
And naturally, this will differ drastically from one person to another. This is how we rewrite history. Suddenly, a record that was just whatever at the time can become huge because it resonates with the kids in a way it never did for us back in the day.
"And that's the beauty of music."
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Meet your guru

Meet your guru
DJ Deep is a French house and techno producer and DJ, and the man behind the Deeply Rooted label (formerly Deeply Rooted House). Across more than 20 years he has been one of dance music's great curators - and that ear for what makes a record really work is exactly what makes him a guide worth learning from.
'I see my job as being a big filter,' he says, rather underplaying the role the Frenchman has had in the development of house music. 'As a vinyl junkie, I am in the record stores chasing jams almost every day. Sharing what I think are the greatest records of the moment or the most timeless personal classics is something that has motivated me throughout the years.'
Cyril Etienne emerged from the Paris scene to make a real impact on the world stage. He started out playing for Laurent Garnier at parties such as Oz and Zoo at club Palace, then became a regular at the Rex Club and established his unique sense of taste with his 'A Deep Groove' shows on pirate station Radio FG and later Radio Nova. He quickly graduated to playing worldwide, always taking with him a sense of history informed by a love of Chicago, New York and Detroit. Blurring the lines between house and techno, he also joins the dots between classic and contemporary cuts with his own sense of storytelling - not only as a DJ and producer, but also a label boss and party curator.
Since 2003 he has headed up his own forward-looking Deeply Rooted label, synonymous with classy, true-to-its-roots house and techno from new and established greats like Kerri Chandler, Ben Klock, Francois X, Ben Sims and Roman Poncet, as well as rising French star and Concrete Paris regular Marina Trench. His own Raw Cuts series bridges the heartfelt emotion of house and the direct impact of techno. Beyond his own label he has released on Rekids, Kaoz Theory and Tresor, and as a remixer has reworked the likes of Carl Craig, St Germain, DJ Honesty, Scan 7, Borderland (Juan Atkins) and Point G, always bringing his uniquely warm atmospheres to whatever he turns out.
He also makes music under various other aliases: Rebeval, with rawer-sounding material on L.I.E.S.; Sergie Rezza, a collaborative project and label of the same name alongside Roman Poncet that explores more experimental, ambient-laced house and techno in both EP and LP format; Fang, for contemporary house; and Adventice, for driving, classically-rooted techno, with outings on Tresor and live shows at the likes of Berlin Atonal.
His more eclectic side comes out in his Open Library radio shows on Worldwide FM - two-hour windows of jazz, soul, dub, funk and ambient that make for very special, immersive soundtracks. Whatever he is playing or producing, DJ Deep always has something worth hearing. In Find Your Own Path in House & Techno, he shares how he selects, arranges and shapes tracks so that, instead of chasing trends, you can build a sound and a taste that are unmistakably your own.


























